Writer vs. Idioms

 

Biting the Dust and Chewing the Fat: A Word About Idioms

 

My daughter is learning about idioms in school. With new eyes on them, these expressions and figures of speech can range from all-out ridiculous to so over used that we barely notice them. Keep your eyes open, I’m about to idiom all over this place.

 

The conversation with my daughter got the ball rolling in my head, thinking about the idioms that pepper my own work. Writing coaches and how-to books tell you constantly to watch out for these little story killers, and with good reason. They dull your dialogues. They’re cliche, they’re drab, and boring and are the written word equivalent to a speaker saying ‘um’ and ‘uh’. Idioms are skipped over by the reader’s eye because they are so common as fixtures of language and culture. In other words, they’re time and space wasters.

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Photo by Pixabay on Pexels.com

Now, I don’t want to steal someone’s thunder or throw the baby out with the bathwater because sometimes idioms can be useful. Occasionally a specific phrase used in dialogue can denote or solidify where your character comes from or give us insight into their personality.

 

Saying ‘that dog won’t hunt’ or that someone ‘doesn’t know shit from Shinola’ (oh, and ‘please excuse my French’) are phrases one expects from a certain region or even generation. But unless it is something your character is at home saying, or that paints them in more vibrant colors to the reader, avoid them like the plague. After all, do we really need to swing a cat in a room to see if it’s big enough to do so?

 

It’s hard to cull the herd of idioms in our language; to make our work more precise and original, but it is part of fighting the good fight. When editing, ask yourself if the line has a double meaning. Ask if it’s the best possible way to say what you mean. If it’s an obvious idiom, what could you use instead? Does it contribute to the scene and charm of the moment, or distract from it?

 

So don’t beat around the bush or cry over spilt milk. When the ball is in your court and you’re back to the drawing board, remember; although idioms can be a cloud with a rare silver lining, it is always better to hit the nail on the head and kick overused phrases to the curb.

 

Now, if I can get the use of the Oxford comma right and stop double spacing after periods, I may just level the playing field.

 

If it’s not one thing…it’s another.

 

What are some of your common (or favorite) over-used expressions?

 

Book Review: Kathryn Mattingly’s “The Tutor” Will Stun and Captivate

I was lucky enough to pre-read a wonderful new novel out by one of my favorite authors and an all-around amazing woman, Kathryn Mattingly. I just wanted to take a moment, on this site that expunges on the beautiful and chaotic journey’s our lives take, to promote “The Tutor“. A wonderful book to begin your Autumn reading list.

Here’s a little review:

Kathryn Mattingly’s newest novel, “The Tutor” delves into the dark underbelly of the horrifying international baby-trade business and the unscrupulous men who profit from it. This page-turning thriller captivates readers as it follows the story of one woman’s desperate escape from her controlling husband to save their traumatized son from being locked away.

Following Natalie Giovanni’s flight with her troubled and beloved only son, Matti, lands us across the globe, in the lush world of Roatan, Honduras and paints a striking difference between the world that Natalie is accustom to and her new life, hidden away.

In her trademark style, Mattingly paints a vibrant world of crystalline beaches, reefs teeming with life, colorful people, and a vivacious culture. The reader is offered an inside perspective from the men and women living on the island and becomes part of their day to day lives in striking detail.

Mattingly explores both the differences of life in the United States and life on the island and also the similarities in their systemic patriarchal controls. This contributes to the complex plot and journey Natalie takes in finding herself and in helping her son recover from the shock and trauma of witnessing his father’s unspeakable act of cruelty.

The dynamic between characters is complex and engaging and begs the reader’s investment in what will come with every turn of the page. Her dynamic heroine remains relatable and captivates the audience with the trials and transformations she faces on her path to self-reliance and helping Matti to heal.

As always, Mattingly is an artist at character development and gives the reader a thrilling adventure that offers a deeper theme of the heartening bravery it takes to do what is right and protect the ones we love.”

 

Find it here:

 The Tutor by Kathryn Mattingly

Cross-Writing

Today was my official first run on an abbreviated 10-week marathon training plan. Okay, that’s a little fictitious. I’ve been running. I trained for and completed a 200-mile relay race last weekend, surpassing my hopes to not die by not only surviving but actually enjoying the whole thing. But this morning I dusted off the old chart and began to slowly start building the mileage I’d need to not die again in October for the Blue Sky Trail Marathon.

runnerIt got me to thinking about different types of runners. Some would have started training much sooner than this. Some are going to show up on race day with minimal miles and legs full of ego. Some have calculated calories to the numbers, selected precise nutrients per ingestion, and are weighing their shoe laces. Some are probably going to drink the night before and show up with four-year old sneakers and a day-old bagel with green chili cream cheese for fuel. The rest of us will fall along the spectrum between.

We’re all in the race, we’ve all got different reasons why, and different motivations to pursue that finish line.

In the same way, there are many types of writers in the world.

Those that dabble only when the muse traipses through their line of sight. Those that succumb completely to the words, to the exclusion of all else in their lives. The researching non-fiction gurus and the world-building sci-fi pros. The haiku aficionados and epic scribblers. The plotters and pantsers. The pious and the pornographic.

We cover all the bases.

penThe one thing we shouldn’t be as writers, no matter if we’re outlining or winging it, is stagnant. Yes, we need periods of repose  where we can recoup our mental losses and rest the neurons. Just like runners need a resting season, writers should take breaks as needed. This doesn’t mean we sit still. We are always, in some way, in training. And sometimes, the best way to train is to diversify the hours we spend at our art.

My suggestion for today’s post is to make a plan with your writing.

HEY! Come back! Hear me out…sheesh…pantsers!

When I say plan, I’m not suggesting you go investing your hours in spreadsheets and calendars. I’m saying expand your repertoire. It’s one of the best ways to grow as a writer.

If all a runner does are long, slow-paced runs, they will only develop a certain set of muscles. If all a runner trains at, are speed drills around a track, the same thing occurs. Unless you’re an olympian in a specific event this is a waste of your potential and a recipe for injury.

Balance, writer. That’s what I’m talking about.

If you are a novelist, take a break and work on a short story (you can even make it about a side character or your main character thrown into an alternate universe). If you’re a flash fiction genius, take a couple minutes to start plot building a novella or research a topic for a non-fiction essay.

If you spend your writing hours researching and plugging away at your non-fiction novel about the long line of Fredricks ruling the Kingdom of Prussia in the eighteenth century, try giving your brain a break and write a noir short story set in 1920’s Chicago. Or, *gasp*, try your hand at a little poetry.

writingStretching your brain is just as important as stretching your training plan to incorporate different activities.

Just like miles for runners, words for writers are not a waste. It doesn’t matter if they’re on paved or dirt roads, up hellacious hills, or on even city streets…the miles are the work and the work makes you stronger for the bigger tests ahead. Your words, your writing, grows stronger and better with every method you use to stretch it.

So get to it.

Go out and do ten fartleks of sonnets and a long-day of article submissions to Knitter’s Weekly.

Get uncomfortable.

Get better.