Going Back to School: How Writers Benefit from Classes, Conferences, and Trainings

It’s that time of year again, when the cold crisp air settles around and the light grows softer. The mornings are get-ups and lunch packing and full backpacks. The wind rustles drying leaves and the echo of everything Pumpkin Spice descends. Fall. Probably my favorite season (minus the Pumpkin Spiced everything). Fall signals the slowing down of the bustling summer, a cooling off (we hope), and a getting ready for the winter ahead. It also reminds us of new opportunities to learn, to gain intellectual ground, and to prepare for the prime writing months coming up.

There are plenty of ways to keep your skills sharp as a writer. Last spring, I covered the conference season and this post will be similar in that I’m going to give you some online resources for improving your writing skill, developing a business or marketing plan, and helping to boost your creativity. Just like conferences, a writer can easily blow their budget by trying to train themselves into success. My goal is to offer you a spectrum of options with the caveat that classes can show you how to write better, give you pointers on the business side of things and offer marketing advice, inspire new ideas, and improve your editing. About the only thing they can’t do is write your book for you.

The Long Haul:

MFA/MA Programs: These programs (Master of Fine Arts and Master of Arts) are advanced, graduate degrees that can help to help your overall exposure to the big picture of writing (MA tends to focus more on Literature and less on writing, MFA can be broken down into Creative Writing, Journalism, Linguistics, etc). In these programs you will learn pretty much everything, from plot and structure, to dialogue and character development, to grammar and editing. It will take two years at least, and the cost averages out to about $38,000, not counting room and board. You’ll read an enormous amount of material. You’ll probably complete a novel or collection as part of your Thesis. Not a horrible way to go, but studies are showing that the cost of MFA programs are often not paid back in employment afterwards so–carefully think through that one.

Online Writing Courses:

A number of reputable online courses and classes are now offered through various writing groups, professional/successful authors, and university departments. The courses are less intensive than a MFA and can often be done at your convenience. They cost a lot less (some are even free) and you can often pick and chose the ones that will benefit you the most. Here’s a small list courtesy of softwaretestinghelp.com:

  1. Wesleyan University Creative Writing Specialization
  2. Gotham Writers Online Writing Classes
  3. Reedsy Learning Courses
  4. Udemy Creative Writing Courses
  5. edX Creative Writing Courses
  6. FutureLearn Creative Arts and Media Writing Courses
  7. OpenLearn Creative Writing
  8. SkillShare Online Creative Writing Classes
  9. Emory Continuing Education Creative Writing
  10. Universal Class
  11. Writers.com Online Writing Courses
  12. Masterclass Creative Writing Classes

Conferences, Seminars, Retreats

Feel free to refer back to my older post on conference (you can find it here: https://thebeautifulstuff.blog/2021/04/01/a-word-or-several-about-writing-conferences/)

For this area of your continuing education I’ll ask that you explore seminars (mini conferences, or a series of five or more classes on one topic, like Novel Writing) and retreats in your area. I’m sure there are beautiful, far-flung retreats in tropical islands that are also available, but with travel restrictions, lack of funds, and a busy life outside of writing, those may not always be attainable, so do a little research closer to home. Some of my favorite retreats and seminars have been offered through Northern Colorado Writers at a very fair cost and are conveniently located. It also helps my sense of altruism to know I’m funneling my money into a local organization that turns around and helps other writers in my area.

Retreats tend to fall into two categories, those with classes/seminars and free-write time, and those with simply free-writing time, punctuated with social hours. You may wonder how effective three or four days, stuck in a lodge, with nothing but time spent writing can be as beneficial as say, a whole weekend of conference classes. Well, young writer, let me elaborate.

Classes, conferences and seminars are excellent resources for enhancing your writing and helping you learn technique as well as opening up your mind to the business side of things–just like I mentioned above. And, just like I mentioned above, they can’t write a book for you. Only you and time can do that. As a mother of two busy kids, with a couple of side gigs, and a whole household to run–I don’t always have time to write. Somedays I’m lucky to get 20 minutes in. So to have four days, uninterrupted by children, husbands, dogs, laundry, volunteering, teaching, or grocery shopping, cleaning, and yard work, just focused on my writing is priceless. I’ve finished novels in that time. I’ve written four months of blog posts and edited entire series. I’ve barreled through plot holes that I thought I could never find solutions to.

The truth is, when there’s nothing else to pull your procrastination strings, you can get some shit done. PLUS, its immensely helpful to be surrounded by other writers while they’re “in the zone”. There is an inexplicable energy that catches you up when you’re surrounded by other souls and brains focused on their art and passion. Plus there’s usually some socializing/decompression hours at the end of the day to give yourself respite.

Okay–that seemed like a lot of info and I don’t want to bore you to tears. Check out some of the ideas above this week for taking yourself back to school. When we invest in our writing, it becomes less the pipe dream, and more of an attainable goal. Good luck out there, writers. Keep me posted on your progress or if you’ve found some great retreats, classes, and resources yourself!

A Word (or Several) About Writing Conferences

Photo by Pixabay on Pexels.com
I’m not going to lie, I’m a lazy bastard some days. And I’ve got plenty on my plate to make me feel justified when I rehash an old blog, especially if it still fits with what I’d like to talk about.

This, being April and the start of the Writing Conference Season (I’m not sure if that should be a capitalized title, but it seems like an event so…I’m going with it) I thought it would useful to budding writers out there to go over some conference basics as well as some advice that has really helped me get the most out of them. This also being a totally new era, I’ve added some modifications to reflect our new Zoom/Teams lifestyles (not NEARLY as cool as a Rock n’ Roll lifestyle).

So, let’s get into the meaty goodness of writer’s conferences and why you should strive to attend at least one a year.


How do you choose which one to attend? 
 
•	Firstly, most conferences, at least since last year, have had to switch to some type of online format or perhaps online-in person hybrid to make accommodations for safety during the pandemic. So, the good news is, you may not have to shell out so much for travel expenses as they can be taken from the comfort of your home. Bad news is that you’ll still be at home and all the challenges that can go along with it. I’ll touch more on that later on. 

•	If you are anything like me, you’re wealthy in creativity but strapped for cash. One of the biggest deciding factors, for me, is the cost of the conference, along with which classes, speakers, and agents will be there. Getting to pitch to an agent, or multiple agents for publishers specific to your genre is a boon. Classes that are not just interesting but will help expand your craft are also good factors to consider.
 
•	Some conferences are genre specific and if you are a comfort-hugging archetype who doesn’t flirt around outside your style and subject matter, then definitely consider something specifically geared to your genre. The Romance Writers of America used to host in fun and far-off lands like…San Diego and…New York City…*le sigh* remember travel? Now things have changed. I was lucky enough to attend last year’s Wordsmith Institute’s Romance Writing Conference online and it was simply amazing. (they are offering the conference again this year and here is the linkhttps://www.wordsmith.institute/writing-events—totally worthwhile. In the fall they host a Sci-Fi conference that is equally engaging and informative). Genre specific conferences are awesome if you’re looking to polish skills or start out in a new genre that you don’t normally write in. Don’t be afraid to flirt a bit (outside of your genre, that is *wink)
 
•	If you’re stuck deciding between two, look at the courses offered, the speakers presenting, and if they are offering pitch sessions, especially agents suited to your work. Pick the one that gives you the most opportunity for growth and stretches your creative and ambitious goals.
 
How do I get the most out of my conference?
 
•	Here’s what I’ve learned. Plan ahead but be flexible. Conferences don’t just start the minute you pin that snazzy name badge on your seldom-used dress clothes (or, via online conferences, log in with only dress clothes on your upper half). They start the year before, during writing when you self-reflect on the issues you have with your WIP, your style, your grammar, or even the steps you want to take next. If you have trouble with dialogue but are a whiz at plotting out the perfect story arc, then use your conference to build up your weak points. Even if it means stepping out of your comfort zone. Which leads me to my next point:
 
•	Sit it on at least one session that is outside of your genre, comfort zone, or even interest. Look, conferences can be amazing experiences but if you’ve been through sixteen hours of various takes on the query letter or trying to perfect your memoir pitches, you’re not growing as much as you could be. Why do athletes cross train? Why does an engineering major still have to take social science classes? Because learning about the realm outside yourself will make you better in all aspects of your work. Try a sci-fi world-building class or screenwriting. I guarantee, you will get something new out of it that will help your project and your craft.
 
•	Push your limits. Talk to people you wouldn’t normally, share your story, your success, and your pitfalls. This is an awesome opportunity (I’m talking to you little introvert) to commiserate, vent, and rejoice in the craft you love so much. Pitch your novel, article, or story. Talk to the larger-than-life keynote speaker (here’s a hint: every single one of them I’ve had the pleasure to meet has been the kindest, most down-to-Earth and supportive writer). Come away feeling like the weekend/day was an experience that has changed you in some fundamental way.
 
How do I not get overwhelmed?
 
•	For goddess’ sake, take a break in the midst of it all. I’m the worst at this. I’m a classic victim of; “I paid the money and I’m going to hit every single class. I will volunteer, pitch, hit up the speakers at the dinner table, and stuff every bit of information into my head until explodes!” Then by day two, nothing makes sense in my mind, words are blurry, I’m not sure what my name is, and I’m crying into a self-made mashed-potato tower, while wearing Underoos on my head that clearly are not my own. 

Take the breaks between sessions or even forgo a session and find a quiet corner or go for a walk outside. You need it to recharge, allow time to absorb the information and be refreshed for the next round. This is especially true for online conferences! Take the computer to different rooms (if they’re still quiet) or outside if available, take walks in between sessions, take eye and body breaks (look far off for a spell, or ‘rest’ your eyes away from the screen, get up and stretch as often as available). Its’ almost like interval training—the space between, the recovery is what sets you up for the next round, so take it.
 

 
•	If you are pitching to an agent or editor, polish the shit out of that thing beforehand. Take your pitch to your critique group, your friends, random people on the street before the conference and learn how to deliver it with confidence and clarity. Know your story, your characters, and your plot, inside and out. That first page should sing the sweetest siren’s song anyone has ever heart and lure the tepid agent from the afternoon lunch lull into something exciting they want to read more of. The more you practice your pitch, the more it will feel like a conversation with a good friend instead of an interview.
 
•	If you are pitching, don’t be intimidated by the agent or editor. Remember they are people. They are there, specifically, to talk to you. To hear your story. To find the next big thing. Most of them are also just like you…they may even be wearing Underoos and like mashed potatoes. The point is, it’s okay to be nervous, but don’t go in assuming they relish the idea of shooting you down. Be polite and always thank them for their time and any advice they have to give.
 
•	Sleep before. Sleep after. Eat nutritious food, take walks outside whenever you can, and watch the caffeine and the booze. Free coffee stations are like crack for me (or conversely at home for online conferences—having my own espresso machine) and cash bars are a tempting mistress at the end of a long, people-filled day. But you’ll have things to do the next day and Underoos will stay safely tucked in if you can avoid that third cocktail. 
To conclude, I’d like to share one of the best lessons I’ve learned from conferences.

For every conference I attend, I add a layer to the writer in me. That is to say, through the people I meet, the classes I take, and the lectures I attend, I learn more about the craft. How, and when, and why, and what and all the technical attributes that come along with the delicate balance of creativity and grammatical science. But more than just the sum of these limitless parts, I learn a greater whole.

The whole that is me as a writer. 

And in doing so, I’ve learned how to enjoy myself more at these kinds of functions by listening to my body, my brain, and my growing years of experience. 

Back in the day, I would be hand-cramping from the steady stream of notes at each session. I would be tumbling from one to the next, chugging down coffee between in hopes to keep my energy up so I wouldn’t miss a thing. I would strategically place myself at the agent’s table who I wanted to garner the literary affections of. I would, in essence, be the adult version of my grade-school brown-nosing self. 

Something happened one year, while at the meet and greet “networking” event. I found myself long past my emotional and mental boundary and crossing all lines of my introvert nature, to garner the attention of at least a few more experts in the field. I was mentally exhausted, untethered and I felt like I was on emotionally shaky ground. I realized after a long day of learning and being ‘on’ that I didn’t want to be there. 

I didn’t understand my limits or that honoring them was at the core to being successful at a conference (and let’s face it, in life)

I thought I could talk it all day, learn it all day, do it all day. Nerding on a pro-level is a quintessential part of who I am. I loved hearing about other projects much more than I like talking about my own and reveled in the creativity and ingenuity of my fellow conference goers.

But…the more stories I heard, the more classes I took, the more advice I tried to apply—the less sure I became of my ability. The more tired I got, the more flustered I became, the wearier my mind, the less information I could process.

Until everything was just noise and words.


Then I learned a secret. 

You don’t have to throw yourself under a bus to catch it. 

Knowing your limits is not just useful in this particular scene. Knowing your limits is useful for all humans. And it comes with age and the ability to let go of unrealistic expectations.

During a few of my sessions, even as I listened to the speaker, I listened to myself. If I was inspired to write; I let myself write.

If \the iron was hot, I struck while in the moment, abandoning the mad scribble of notes.

Did I miss a little of the presentations? Sure, but in the midst of other brilliant minds and the energy they impart, in the middle of shutting out the rest of the world, the heart and brain start to do this funny little dance and learn to play again.
 
Inspiration doesn’t always happen at the opportune times. You have to write when the words are ready and when the heart is open. Conferences have given my heart a doorway, an acceptance into writing what often builds up behind all my carefully constructed walls. 

In years past, I’ve forced myself to jump the hurdles of social interaction and witty conversation until late hours, when all I really wanted was to wander off to a quiet room and take a nap.

I had to make it OK for myself to listen to that want, in order to get the most out of my time at conferences. These events open pathways, but only when we’re not too busy to see them. If we are embroiled in getting the most out of every single planned moment of the time, then we may miss the real lesson. 

Creativity is like a river and if you fully submerged you’ll easily drown. You’ll miss the beauty of the ride, the view, and the sounds. 

So, know yourself, Writer. Do the things that you know work for you. Let the river of creativity, carry you, but always leave yourself plenty of breathing room to be inspired. 


Wyoming Writers Conference

 

Hey friends. This week is a little hectic with projects, both nearing completion and those just getting started, so today’s blog will be short.

I just wanted to let you know about an awesome conference coming up in Laramie in June (the 7th-9th) hosted by Wyoming Writers, Inc.

Though I’m based in Fort Collins, Wyoming is my home state and I’m excited to be returning there next month to meet new friends and writers as well as attend some stellar classes.

Some of you have heard me talk about Jovan Mays and Angie Hodapp (Nelson Literary Agency), two of my favorite presenters. They will both be there and giving inspirational and technical advice for all levels of writers.

In addition to a seasoned and talented lineup of presenters, I have snuck in as a presenter on Saturday and will be giving a little intro on which publishing path is right for you. (Ahem…the official title is: “Out In The World: Publishing Your Novel in Today’s Market” Fancy, huh?)

Registration is still open and they have several options to choose from, depending on your budget and time. Local authors’ books will also be available for purchase (if you’re in the market for some steamy paranormal romance…along with I’m sure much higher-quality books).Here’s the link if you’d like to check out what they’ll be offering, from classes to the Keynote speaker (the talented Brad Watson).

Wyoming Writers Conference 2019

If you do attend, I’d love to meet and talk writing until our little introvert hearts can’t take anymore. Feel free to look me up while you’re there.

Do yourself and a local writing chapter a favor and join us at this fun and dynamic offering.

Until next week, happy writing!

Writer; Know Thyself

Today’s blog comes to you from a second-floor hotel room after a full and productive day of classes at the 2019 Northern Colorado Writers Conference. The second floor is also hosting the attendees of the Brewery Collectable Club of America, so this humble blogger has witnessed some interesting trade deals in the world of rare Colt 45 paraphernalia.

On to my point:

For every year I attend the NCW Conference, I add a layer to the writer in me. That is to say, through the people I meet, the classes I take, and the lectures I attend, I learn more about the craft. How, and when, and why, and what, and all the technical attributes that come along with the delicate balance of creativity and grammatical science. But more than just the sum of these limitless parts, I learn a greater whole.

 

The whole that is me as a writer.

 

And in doing so, I’ve learned how to enjoy myself more at these kinds of functions by listening to my body, my brain, and my growing years of experience.

 

Back in the day, I would be hand-cramping from the steady stream of notes at each session. I would be tumbling from one class to the next, chugging down coffee between in hopes to keep my energy up so I wouldn’t miss a thing. I would strategically place myself at the agent’s table who I wanted to garner the literary affections of. I would, in essence, be the adult version of my grade-school, brown-nosing self.

 

Then…Something happened last year, when I drug myself to the meet and greet “networking” event, long past my emotional and mental boundary and crossing all lines of my introvert nature, to garner the attention of at least a few more experts in the field, I stood on very shaky ground. I spilled my drink, I felt like crying,

 

I didn’t want to be there.

 

I hated that I hated being around other writers. Which seems a terrible thing to say, but bear with me.

 

I didn’t know I had a limit to writing.

 

I thought I could talk it all day, learn it all day, do it all day. I could go to class for days!!! Nerding on a pro-level is a quintessential part of who I am. I loved hearing about other projects much more than I like talking about my own and reveled in the creativity and ingenuity of my fellow conference goers.

 

But…the more stories I heard the more I questioned if I was doing enough. The less sure I became of my ability. The more tired I got, the more flustered I became, the wearier my mind, the less information I could process.

 

Until everything was just noise and words.

 

Then I learned a secret.

 

(come closer…closer…)

 

You don’t have to throw yourself under a bus to catch it.

 

Knowing your limits is not just useful in this particular scenario. Knowing your limits is useful for all humans in many aspects of our lives. It comes with age and the ability to let go of unrealistic expectations.

 

During a few of my sessions, even as I listened to the speaker, I listened to myself. If I was inspired to write; I let myself write. If \the iron was hot, I struck while in the moment, abandoning the mad scribble of notes for the mad scribble of thoughts.

Did I miss some parts of the presentations? Sure, but in the midst of other brilliant minds and the energy they impart, in the middle of shutting out the rest of the world, the heart and brain start to do this funny little dance and learn to play again.

Inspiration doesn’t always happen at the opportune times. You have to write when the words are ready and when the heart is open. And the presenters this year gave me more than a notebook full of query-letter tips or copy-editing tricks. They gave my heart a doorway, an acceptance into writing what often builds up behind all my carefully constructed walls. And in stumbling and unorganized prose/poetry form I filled over ten pages of free-form when it was all said and done.

In years past, I’ve forced myself to jump the hurdles of social interaction and witty conversation until late hours, when all I really wanted was to wander off to a quiet room and take a nap.

So this year, after a relaxing dinner and a fabulous keynote speaker, I said goodbyes to new and dear friends and retired to my room for quality pajama time and a little writing.

I reserved a room, not so I wouldn’t have to drive the five miles home, but because I knew I would need quiet alone time to decompress after a long day of people and ideas, and focus on my own personal craft and projects I love.

I know when my mind is best, and after 8 pm is not that time. That’s my repose time. I had to make that OK for myself in order to get the most out of my time.

Conferences, classes, and meet ups like these open pathways, but only when we’re not too busy or overwhelmed to see them. If we are embroiled in getting the most out of every single planned moment of the time, then we may miss the real lesson. Creativity is like a river and if you fully submerged, yourself, you’ll easily drown. You’ll miss the beauty of the ride, the view, and the sounds.

So, know yourself, Writer. Do the things that you know work for you. Let the river of creativity, carry you, but always leave yourself plenty of breathing room to be inspired.

 

 

Conferring on Conferences

 

 

Okay, so I promised two weeks ago that last week we’d be talking about writing conferences. Then my squirrel brain shouted “I do what I want!” and flicked its squirrel brain tail and stole some nuts and ran off on a tangent.

 

Adult Sarah remembers. So without further prodding, let’s get into the meaty goodness of writers conferences and why you should strive to attend at least one a year.

If you’ve never been before or even if you are old-hat in the world of conferences, here are a few tips on how to choose the right one for you, how to get the most out of it, and how to not feel completely overwhelmed in the process.

 

How do you choose which one to attend?

 

  • If you are anything like me, you’re wealthy in creativity but strapped for cash. One of the biggest deciding factors, for me, is the cost of the conference (including travel and accommodation expenses) against what classes, speakers, and agents will be there. Getting to pitch to an agent, or multiple agents for publishers specific to your genre is a boon. Classes that are not just interesting but will help expand your craft are also good factors to consider.

 

  • Some conferences are genre specific and if you are a comfort-hugging archetype who doesn’t flirt around outside your style and subject matter, then definitely consider something specifically geared to your genre. The Romance Writers of America is hosting its annual conference in New York City this year…but, as my first bullet point states, it’s a little too much expense for my budget. Plus, I like to flirt… (outside of my genre, that is *wink)

 

  • If you’re stuck deciding between two, look at the courses offered, the speakers presenting, and if they are offering pitch sessions, especially agents suited to your work. Pick the one that gives you the most opportunity for growth and stretches your creative and ambitious goals.

 

 

How do I get the most out of my conference?

 

  • Here’s what I’ve learned. Plan ahead but be flexible. Conferences don’t just start the minute you pin that snazzy name badge on your seldom-used dress clothes. They start the year before, during writing when you (hopefully) self-reflect on the issues you have with your WIP, your style, your grammar, or even the steps you want to take next. If you have trouble with dialogue but are a whiz at plotting out the perfect story arc, then use your conference to build up your weak points. Even if it means stepping out of your comfort zone. Which leads me to my next point:

 

  • Sit it on at least one session that is outside of your genre, comfort zone, or even interest. Look, conferences can be amazing experiences but if you’ve been through sixteen hours of various takes on the query letter, trying to perfect your memoir pitches, you’re not growing as much as you could be. “But Sarah, why do I need to grow as a writer? I’m practically perfect as is!” Of course you are…but I ask you this: why does an athlete cross train? Why does an engineering major still have to take social science classes? Because learning about the realm outside yourself will make you better. Try a sci-fi world-building class or screenwriting. I guarantee, you will get something new out of it that will help your project and your craft.

 

  • Push your limits. Talk to people you wouldn’t normally, share your story, your success, and your pitfalls. This is an awesome opportunity (I’m talking to you little introvert from up there) to commiserate, vent, and rejoice in the craft you love so much. Pitch your novel, article, or story. Talk to the larger-than-life keynote speaker (here’s a hint: every single one of them I’ve had the pleasure to meet has been the kindest, most down-to-Earth and supportive writer). Come away feeling like the weekend/day was an experience that has changed you in some fundamental way.

 

How do I not get overwhelmed?

 

  • For goddess’ sake, take a break in the midst of it all. I’m the worst at this. I paid the money and I’m going to hit every single class. I will volunteer, pitch, hit up the speakers at the dinner table, and stuff every bit of information into my head until explodes! Then by day two, nothing makes sense in my mind, words are blurry, I’m not sure what my name is, and I’m crying into my mashed-potato tower, while wearing Underoos on my head that clearly are not my own. Take the breaks between sessions or even forgo a session and find a quiet corner or go for a walk outside. You need it to recharge, allow time to absorb the information and be refreshed for the next round.

close-encounters-of-the-third-kind-mashed-potatoes

 

 

  • If you are pitching to an agent or editor, polish the shit out of that thing. Take your pitch to your critique group, your friends, random people on the street before the conference and learn how to deliver it with confidence and clarity. Know your story, your characters, and your plot, inside and out. That first page should sing the sweetest siren’s song anyone has ever heart and lure the tepid agent from the afternoon lunch lull into something exciting they want to read more of. The more you practice your pitch, the more it will feel like a conversation with a good friend instead of an interview.

 

  • If you are pitching, don’t be intimidated by the agent or editor. Remember they are people. They are there, specifically, to talk to you. To hear your story. To find the next big thing. Most of them are also just like you…they may even be wearing Underoos and like mashed potatoes. The point is, it’s okay to be nervous, but don’t go in assuming they relish the idea of shooting you down. Be polite and always thank them for their time and any advice they have to give.

 

  • Sleep before. Sleep after. Eat nutritious food, take walks outside whenever you can, and watch the caffeine and the booze. Free coffee stations are like crack for me (okay, I’ve never been addicted to nor have I ever even tried crack but…you get the idea) and cash bars are a tempting mistress at the end of a long, people-filled day. But you have things to do tomorrow and Underoos stay safely tucked in if you can avoid that third cocktail.

underoos1

 

Well, good luck out there writer. Go find you a conference and learn to mill about in the wealth of knowledge and inspiration. Leave any comments or helpful hints you’ve gained over the years here, or even your worst experiences. I can’t wait for you to jump into one and discover how decadent it feels to immerse yourself in the craft you love.