Dime Store Novel: Episode 4

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Ah, the plot thickens. Enjoy the latest installment and a shower scene…

(if you need a recap, Episodes 1-3 can be found here: https://thebeautifulstuff.blog/2021/03/18/dime-store-novel-episode-three/


While Link set up the lines to refuel the ship, Rhea visited the great Hall of Books. Laria shed her outer layers with relish as if coming home and kicking her shoes off. She sighed and rolled the tension from her neck while Finn watched her from the corner of his spectacles. He never pressed, but she somehow felt compelled to speak in his presence. She watched Rhea gasp through the stacks of books, reaching out to touch only to pull her hand back in fear or reverence.

“I’m sorry to come here. I’m sorry to bring trouble,” Laria began and looked down at her dirty clothes. Finn was accustomed to seeing her disrobed to her under garments, as she tended to shed the extra weight of armor and weaponry shortly after entering The Library. He motioned for her to join him in her quarters at the end of the hall. He never offered her room to any other visitor or traveling scholar. It was Eularia’s room, even without her around. Some nights, when the desire of missing her was too great, and the Ring’s hold on her too strong, he slept there. 

“Rhea is no trouble.” He assured, glancing over his shoulder to where the young girl was cautiously exploring the section of biological texts.

“She’s—I don’t know what she is, Finn, but I gotta bad feeling about this. About her.”

“Because?”

“Because T’Elliot contacted me before his ship was blown to nothing-dust to tell me she needed to be protected. I feel like this could be—” she paused to scowl, “more important than I like to get involved with.”
Finn’s eyes settled on her thin, once-white camisole and shook himself into reality. 

“Well, we mustn’t place too much on our feelings about getting involved—” coldness tinged his words.

“Finn—” she whispered. “I can’t—You know why I can’t be here with you all the time. I’ve got too many enemies. I’ve got too much baggage. I don’t belong in one place for long. I don’t belong anywhere,” her voice cracked with the weight of the day.

“You could if you chose to! You could stay, here. You could stay with me,” he said suddenly and turned away; his whole body flushed with heated blood. “I mean here…in the book stacks. In the quiet. Aren’t you tired of fighting all the time?” he whispered and she felt his frustration in the space of the room.

Laria sighed. He wasn’t wrong.
 
“Kronos, yes,” she admitted and stared down at her scraped and bruised hands. “It’s just—Rhea. She’s different, Finn. She’s—she’s a map.”

“You mean she has a map? What kind of map?”
“
No. I think she is a map.”

“A map to what? Treasure?”

“She says it’s something called the Conduit.”
Finn’s brows drew in and he studied her. 

“The Conduit?”

“Yeah? Did I stutter?” 

He turned and raced up the ladder to the top shelf of books; the ones he’d kept away from public view in fear that they’d be destroyed or stolen. Books he hoped to read to her someday.
 He was instantly preoccupied with the search for whatever the word had inspired in him, and hunted through the rows with lingering fingers and soft words pressed between his lips; whispered names, dates, titles. For long minutes he went on.

“Okay…look, I’m gonna go clean up. You—” but Finn didn’t acknowledge her or even pretend to have heard in the midst of his fixation. “Right. Keep on, doing what bookies do.” She said, partly annoyed but mostly enamored with Finn’s singular focus. 

Link met up with her in the hall, olive eyes falling to her light camisole, before snapping to attention. 

“I’ll find the kid a place to stay, and I’ll hold off on calling my contact until we figure more out,” he said, resigned. Laria looked at him and sighed.

“Look, Link. I know it’s been a rough day.”

“And—how is that different from any other turn for us?” he smirked.

She reached out and dug a piece of shrapnel out of his leather vest. He watched her lithe fingers dislodge the shard. He heard her sigh.

“You’re not the worst partner a pirate could have.”

Link smiled and took the sharp piece from her hand, fingers grazing. “Why that might be the sweetest thing you’ve ever said to me,” he smiled, dashingly. She rolled her eyes and headed for the shower room. 

The ability to wash up after the smoke-filled battle and the remnants of days without water was a decadence rarely afforded. Water was not something they had an abundance of on the ship. Though the moon of Titan was made almost purely of ice, the Royals found a way to market everything and could turn a profit from rock if it suited them. But The Library, once a rectory of power and the hubris of man’s infantile knowledge, had been equipped with running water, electricity, and quite a comfortable existence for something not directly controlled by the Royals. It was lucky for them at all that Link happened to be school-friends with Finn. It had certainly made the difference in her life. 

These thoughts and the strange history of her connection to Link and Finn played on her mind as she stripped off her underclothes and stood beneath the warm and indulgent spray. The grime of the Ring and ship life washed down the drain in rivulets of gray and left her skin, once again softly pink. The warmth seared the grazes of bullet wounds and shrapnel kisses and the caked-on blood slowly faded in ribbons down the drain. Her hair, less silt gray, her muscles less tense.

“What do you know about Saturn Rising?” The question cut the stillness as Finn rushed in, book in hand and glasses fogging from the bottom up. He tore them off and began flipping pages while steadily approaching the open tiled semicircle where she was unabashedly facing him beneath the spray. 

When he did look up, his throat contract in a hard swallow, the book softened in his hands. Eyes lingered; lips parted. She raised her eyebrows and thought of how many other men she would have killed in such a situation. 

“Saturn Rising? Is that what you call it?” she said and looked down below the heavy volume to his very unscholarly reaction. 

“I—apologies—” he fumbled and left the room with the stiff-legged pace of a man who’d encountered an immobile wall and was forced to go someplace else.

Laria stared after him and scowled. “Years alone in a monastery and that’s your response?” A pause from the 
dust-moted hallway.

“I’ll speak to you when you’re dressed.” 

“Men are stupid.” She grumbled and toweled off.
	
When she rejoined the group in the main hall, Link sat playing Druidroll with Rhea over the checkered octagon, both strategizing over the next three moves. Finn was at the table, a cup of tea going cold in front of him, his eyes cast deliberately down into the pages of the book.
	
“How was the shower?” Link asked with his eyebrow raised.
	
“It was wet,” she said, ignoring Finn.
	
“Good, I hope you used soap, you smelled.” Link smiled and made his move. Rhea’s eyes scanned the board.
	
“You’re not exactly a bed of roses yourself,” she retorted.
	
“Well, you could have asked me to join you—save some water.” Link sat back and looked at her. Finn cleared his throat. “Or was it too crowded in there already?”
	
“Don’t be a dick.” 
	
Rhea giggled and made a calculated move, taking three of Link’s pieces at once.
	
"So, what did you find out, bookie?” she asked with the sting of a woman rejected and sat in the farthest seat from him, legs folded, fingers combing through her wet hair. Finn watched her disinterested grooming over the top of his glasses and looked away, again his thoughts distracted by the memory of her water-warmed skin.
	
“Saturn Rising,” he began. 

Rhea looked up from the board and her post victory smile fell.
	
“You know about Saturn Rising?” she squeaked.
	
“What’s Saturn Rising?” Link asked and looked between Finn and Rhea.
	
“I know what it’s not,” Laria said and withdrew her moonblade to clean beneath her fingernails. Finn blushed and redirected. 

“Saturn Rising is a celestial event that happens once in a thirty-year cycle. Mostly it’s insignificant and passes without anyone knowing. While the event usually has epicenters, the locations are usually out of reach for our traveling tech. But this cycle, this Saturn Rising, is happening within the next few days. Here, inside of The Rings.”

“Uh, OK? But what is Saturn Rising? Like a solar flare? A reversal of poles?” Link asked.

Finn shook his head, “It’s hard to explain. Imagine a shift…a sort of—gathering of space and time.”

“I don’t follow.”

“It provides possible doorways, to other worlds. Sometimes even different times.”

“Ugh, could we talk about this after food?” Laria said and threw back her head. Finn scowled at her, knowing she was downplaying his intellect out of retribution, so he ignored her.

“Here,” Finn said and stood up. He took the table cloth and gathered it. “Imagine this is space—”

“Can we imagine some food to put on it?” Laria countered.

Finn went on without acknowledging her hangry fit. 
“Now, space and time sort of—undulate.” The word was sensual as his long fingers played with the silken material in soft waves. Laria watched them with entirely different thoughts in her head than space portals. “During a Saturn Rising, the fabric folds over itself. It’s believed that in these moments, people are closest to their true selves, and that we solidify into who we are in these moments of fold—”

“Ferking astrology,” Laria scoffed.

“When Saturn was first being colonized, Prophetics postulated that during one of these folds, A Conduit could be used to open a sort of slit in the fabric, and a person or ship could hop across the fold into the other place in the universe. Rhea, your father was the leading Prophetic in the study of Saturn Rising. I’ve read that he may have even been present the last one.”

Rhea blushed and her dark eyes sank into Finn’s.

“Hop into another place in the universe?” Laria chided. “Sure. I’ll just pop on over a billion light years to the neighbors for a spot of tea—” 

With an ease that should have been impossible, Finn took the knife from her hand, pickpocket speed. 

“Hey!”

He spun it in his long fingers with an agility she hadn’t know he’d possessed. Holding up the folded fabric, he gently perforated the two layers. 

“One side is our world,” he looked around the fabric to where the knife protruded. “The other side is a different one.”

All eyes stared at him. The room fell eerily silent. 

“So, Rhea knows how to find the…well the knife in this case? The Conduit?” Link said.

“If D’Sol’s theory could be believed, yes,” Finn said and laid the table cloth back down, the holes now spread wide from one another. “In the same way he found the last one. I think it’s in her genetic code to be drawn to the anomalies surrounding a fold.”

“Why in Kronos’ name would anyone want to jump across time to some place they knew nothing about?” Laria asked.

Finn held up his finger and an excited glow lit his eyes. “Ah! Beautiful question!” Laria blushed inadvertently. “D’Sol believed that on this particular rising, the cloth would fold back to Earth. He writes here that an anomaly occurred last time, thirty years ago, wherein something came through the fold and that the universe would naturally seek to fix the balance by repeating the fold on the next Saturn Rising.”

“Uh—” Laria’s disbelief hung on the air. “Earth was destroyed thousands of years ago.”

“Well, technically it still exists, it was just—uninhabitable. Or it was when humans left it. D’Sol argued that it could be a much-recovered planet and due to the difference in Saturn’s years versus the Earth’s, it would have had time to recover.”

“Wait, are you saying the Earth could be livable, again?” Link abandoned the game.

“What would that matter if it was? We can’t get possibly get back there. It took people thousands of years just to get to Saturn, to set up operations…to start over. You’d never have enough fuel to make it there, let alone the life span to survive the trip.” Laria injected harsh reality into the hopeful glow.

“Unless the trip only took a few minutes,” Finn whispered, leveling his eyes on her “Across a fold of space.”

Dime Store Novel: Episode Three

Quick announcement in today’s blog: If you are in the Fort Collins or Northern Colorado area, I will be doing a live reading of my short story “Rinse, Reincarnate, Repeat” in partnership with CopperMuse Distillery (https://www.coppermuse.com/) on March 28th from 4-6pm. Along with a fun little story about God, Love, Stardust, Split-Aparts and Dogs, this incredible distillery will be featuring a special cocktail to go along with the story.

And now, this:

Part three in the continuing saga. Today’s excerpt is a bit longer… Because, I couldn’t not introduce Finn O’Toole. If you need help catching up, here are the first two installments.

1.) https://thebeautifulstuff.blog/2021/01/21/dime-store-novel-episode-one/

2.) https://thebeautifulstuff.blog/2021/02/18/dime-store-novel-episode-two/

Photo by Miriam Espacio on Pexels.com
“Have you any idea what you’ve just done?” T’Elliot’s voice snapped onto the com before Laria had a chance to change Walt’s course. 
“Look, Telly, if you didn’t want those men to get shot—”
“And stabbed,” Link added, unhelpfully.
“—they shouldn’t have shot first. This ain’t no sandbox on Iapetus, you had a bounty—” Laria's throat constricted. “We took her.”
“What you did is put this whole solar system in jeopardy, maybe the whole universe, you worthless Mutt!”
“Ease up, Telly. I gotta long memory and I’m likely to see you again before those kinds of words get forgotten.”
“She isn’t just some map! That girl is incredibly important!”
“So says the payment,” Link spoke now.
“And did you ever stop to wonder who was paying for her?” T’Elliot’s voice got quieter. “Or why so much was offered?”
“I dunno,” Laria scowled at Link. “Did we think about that?” 
“The men, I can forgive you for. They were idiots and shoddy pirates at best, but if you bring her back, I’ll forgive the debt you owe.”
“I don’t owe you a kronosdamn thing,” Laria said and swung the ship across two vectors to reach the adjacent ring, slightly off course for Titan. She needed to think.
“What are you doing?” Link covered the com with his hand and looked at her. 
“What are we doing? Who’s paying for this girl?” she whispered back.
“I am not a man to beg,” T’Elliot interrupted their conversation, more calmly than before. Laria could picture him putting his bald forehead to steepled hands and sighing into the holy space of what usually amounted to a hypocritical prayer. “But, please, Eularia Longfellow, bring her back. We have to keep her safe.”
“Safe from who exactly?” Laria said. Silence filled the space between the orbiting ships. “Who is she, Telly?”
“She’s the map.”
“Yeah, well that means about gorseshit to me right now. I don’t need—”
“To the Conduit.”
“Could somebody please tell me what the ferk that means?” Laria yelled. Link shrugged. Rhea smiled at her from her bound position in the back chair. A knowing smile. A map at peace with herself and her silence. T’Elliot broke the confusion first.
“The Conduit is the tool that opens the portal—” 
Static. Silence. A slight tremor in The Ring. Laria looked behind them to see a ripple in space from where they’d just flown. A blossom of orange in the dark sky. A ship, snuffed out, leaving only the burning ember of wreckage. 
“Holy Ferk,” Link said, staring with wide eyes. 
“Kronos,” Laria breathed and immediately hit the cloaking button, bathing her ship, Walt, in the soft blue glow that hid them from sight and enveloped them in a forcefield. She redirected course immediately, causing the ship to swerve down and below the ring-way. 
“What are you doing?” Link yelled, not buckled and tumbling around the cabin until she righted the ship in its new course. “You put us in cloak and we’ll never have enough fuel to make it to Titan!”
“We’re not going to Titan,” Laria said.
“What? But the paycheck!”
“Somebody wants her, or wants to kill her, bad enough that they blew up a whole ship in the broad light of space. And I’m not getting blown up today, Link, so sit down and shut up.” She programmed in new coordinates, factoring in the tremendous cost of energy and fuel to the cloaking apparatus which wasn’t exactly sanction. They had a two-hour range, and only a few ports that might be safe. Once word got out that T’Elliot’s ship had been destroyed and they were the last ones in contact with it, those few ports dwindled to one, and Laria’s cheeks warmed at the last option.
“Mimas,” she whispered. 
“Mimas? Why Mimas?” Link said buckling up and settling in to help run the diagnostics that would keep their cloak from burning up too much fuel.
“The Library is on Mimas,” she said simply.
“Finn O’Toole is on Mimas.”
She scowled at Link.
“Does she ever smile?” Rhea sang from behind them.
“If she ever did, it was probably on Mimas,” Link chuckled.
“Mimas is overlooked and out of the way. It’s an orbital sanctuary, has a re-fueling station, and The Library will have information on what in the hades a Conduit is, and why it’s worth so much money and death.”
“And Mimas has Finn O’Toole.”
“Shut up, Link.”

*	*	*	*

“My old friend!” Link shouted and raised his arms, as if it were his home that Finn O’Toole had just walked into, and not the other way around. “It’s been too many turns!”
“Has it?” Finn said. “Sometimes it feels like it’s not enough.” He searched the sky to assess any danger his loud-mouthed, former school mate might have brought with him. 
When Link came to town, it was usually followed or preceded by some sort of mayhem, and usually in the form of blaster fire. Of course, it also meant that Eularia would be with him. And that’s where he directed his attention next; to the ship’s loading bay, opened wide like a great yawning mouth. A small, dark-haired girl walked a pace behind Link, absorbing the sky and surroundings like someone who’d been too long in space. Or someone who’s mind was not completely in this orbit. Her small feet took heavy steps as though they were her first. Interesting as this girl’s clandestine and tranquil manner was, he was really hoping for a scowl, from someone more uniquely beautiful and rough.
Finn had been kept away, at Eularia’s blaster length, for their first few years. It wasn’t a surprise; she trusted so few. But he’d discovered her soft fondness for the written word and through books, had been able to bring an unguarded smile to her face on more than one occasion. Since then, he’d judged his worth on how often he could make her smile. It meant bringing out some of his rarest books, or reading to her while she pretended to be asleep in his dilapidated hammock by the high window of The Library. 
He still recalled the last time they’d visited him for Sanctuary. He sat below her, reading. And as his persuasive words drifted up, followed by his gaze to light on her resplendent form, she draped one long arm over the side, a beautiful wide smile on her lips and his heart fell. Her fingers gently tugged on his curls and she pulled him in for a warm kiss before retreating back into the woven cocoon.
“I love when you read to me,” she whispered.
The destruction of his heart was complete in that moment. Finn stood no chance at ever living through her. Only five or so times they’d met in the last few cycles, and he looked forward to each and every one. Did she ever feel this way? The heart pounding anticipation of just being in the same room?
Link roused him with a knowing shove.
“Don’t worry, she’ll be here. She’s powering the decelerators down. We had to ride the last six orbits in cloak and Walt’s a bit hot.”
“Why in hades were you in cloak?” Romantic thoughts of Laria drained from Finn’s mind as quickly as they’d spread. He examined the sky again.
“Oh, am I supposed to ignore that sad puppy face you were just making when you thought I came alone?”
“I don’t—I don’t know what you’re—who’s this?” Finn asked, sidestepping Link and offering his hand to the young girl who held up her metal-clamped wrists in response. “Why’s she bound?”
“She is our bounty—least that’s what I thought she was this morning, but Longfellow is having inner turmoil over the matter. So naturally, she’s come looking for comfort.” Link said with a wry grin and wiggled his dark eyebrows in Finn’s perplexed direction. 
“Bounty? But she’s just a child—and what do you mean by comfort—”
“My name is Rhea D’Sol,” Rhea cut in and beamed up at Finn. She had to look quite a way up. He stood taller than most, lanky and in possession of a wild mop of curly hair, glasses and a regimented bow tie, Finn wasn’t the kind of man women sought comfort in. Least of all women like Eularia Longfellow 
“It’s a pleasure to meet you,” he tried to shake her hand again and turned back to Link. “Really? Are the binds necessary? We are not barbarians here. You’ve stepped off of your ship and onto my grounds. And I don’t hold with detaining prisoners in The Library. You know the rules,” Finn said, quiet but stern, and Link merely shrugged his shoulders. 
“Hey, bookie, take it up with the Captain. I’m sure she’d love to have you boss her around.”
Finn swallowed hard and looked to where Eularia had finished camouflaging the ship from overhead view and now strode across the flight deck, Walt’s hull door steaming closed behind her. The evening Mimas winds blew her hair across her heart-shaped face and the light of the setting star lit her skin in a warm golden glow.
“Pull your thoughts outta your groin and back into your head, bookie, and try breathing with your mouth closed,” Link whispered up to his ear. 
“My thoughts—”
“She’s like an angel,” Rhea whispered in reverence.
“She’s no angel,” Link answered though similarly heart struck at the sight of his captain and her determined gait. 
“What the ferk are you all standin’ around for?” she scowled. Finn smiled goofily at her before composing himself with a serious throat clearing.
“Captain Longfellow, I don’t think I should have to remind you that The Library es expiabat sanctuarium ab nocere.”
“’S that how we’re starting? Latin? After the kronosdamn day I’ve had?” she snapped.
“Apologies, but the rule still stands,” he said. The quiet velvet of his voice offered more reprimand than she knew how to handle. She cleared her throat, shifted a bag over her shoulder, and looked at her scuffed boots.
“I—know, I’m sorry. You’re right. She’s not really a prisoner. She’s just…a huge pain in my ass.” Laria cut away the weak bonds with her moonglass knife and Rhea rubbed at the swollen skin.
“How do you do that?” Link whispered and nudged Finn in the ribs, hard. “She’s never apologized to me!”
“You don’t deserve any apologies!” Laria yelled back at Link. “Sanctuary from Harm has saved our asses more than once, and I think there should be some honor amongst thieves. Even poor excuses for them like you! Fuel the ship, laser brain.” She brushed past the group and stepped through the carved stone door before the blush on her cheeks could incriminate her further.
“I like the Captain when she blushes. She’s very pretty.” Rhea skipped along behind her.
“In a cut-your-digit-off-for-touching-her-thigh kinda way.” Link muttered. 
“There’s nothing wrong with having boundaries.” Finn smiled; secretly happy he’d never suffered that fate.
“I’ve worked with her for eight cycles and not once has she ever taken my advice, Finn.”
“And we thank the stars for that, or you’d both be dead by now,” Finn said, matter-of-factly and followed Rhea inside.

Poetry 3-11-21

Good Thursday to you, Beautiful writers and readers. I’m still accepting submissions for this year’s Beautiful Stuff Poetry Anthology “Wilderness of Soul”. Please send me your work (up to 3 poems, no more than 80 lines, with a short bio) to be considered for publication in the fall of this year as well as promoted on this site.

I’m so impressed and happy at the poems and writers who’ve been sending in their work and I will begin featuring them here on this blog beginning at the end of this month. For today though, you’re stuck with me.

Enjoy, and happy writing.

 
 Things I Love, Great and Small
  
 I buried my children’s fish today
 in the frozen ground
 where I had to chip through
 the hardened clay 
 for a hole just big enough,
 a palm’s worth
 of dirt
 to lay the spine twisted body
 of a once vibrant and
 complex machine
 who flowed with grace and ease 
 for miles around his five-gallon domain.
  
 I scraped my knuckles,
 the ground was so hard 
 in late February
 while birds sung above me anxiously 
 jumping the gun on spring
 singing of life
 of rebirth
 While the cold air bit the tip of my nose
and melted frost
seeped into the knees of my pajamas
where I knelt in dead grass.
  
 Why not just the toilet? 
 one easy handle pull in the warmth
 and comfort
 of the inside?
  
 Because things I love,
 those I cared for and looked after
 lives I've nurtured
 don’t belong in the toilet
 or the sewer
 or the river of waste and unwanted.
 Things I love,
 now still and soul departed
 belong in the arms of a mother
 the nurturing life of soil beside
 highways of roots

 they belong to the body
 of life and the circle 
 of growth and decay.
 Things I love
 great or small
 deserve the care and effort
 of kneeling and toiling
 of cold knees and watering tears.
  
 Things I love
 are not waste…
 are not forgotten.
 no matter how great
 or small.
  
  
   

Submissions, Rejections, and Moving On

I feel like this is a post I’ve probably written before, in one manner or another. But the truth is, that if you’re a writer, actively seeking to publish your work and/or build up your resume (let’s call it a ‘platform’), you’re going to have to deal, at some point in your process, with rejection. Hell, humans in general have to deal with it in all facets of our lives, and as we mature and gain experience we learn (or don’t learn) how to cope with it and move on.

*I should add a disclaimer: I’ve seen it happen, on the rare occasion that someone’s first draft of their first novel gets picked up by a publisher, right away. I’m happy for those few among us, but they are very rare outliers. The exceptions. The kid that blew the curve in class. And since they’re probably not in ‘need’ of writing advice–they can go on with their charmed lives. This post is for the rest of us*

A rejection letter for our artistic work (the meat of our souls if you will) is often harder to take than getting passed over for a promotion or shot down by that guy at the club (or wherever a person tries to pick up someone–I’ve been out of that game for many moons). Writing is, in many cases, a work of heart. And it takes guts and faith, and an ounce of reckless stupidity to throw it out into the world for other people to read (judge, pick apart, mock, etc.) So when we put our (he)art on the line and it’s returned with a swift and almost cutting “thanks but no thanks” it can often feel like we’re getting a red pen mark right through our soul. They didn’t like it. They don’t like me.

So here’s where I tell you the few things I’ve learned. Not just about in dealing with rejection but also how to submit in ways that will expand your confidence and the chances that your work will be seen and appreciated.

I could pound out a bunch of statistics on how many times major publishers rejected some of our favorite and prolific authors. I could tell you that some of those authors when into their thirties and forties (even fifties) without ever finding success in the industry, and I could give you a sunshine-up-your bottom pep talk about not giving in.

But I’m here to help. And I don’t believe in false praise, false hope, or anything false when it comes to finding the system that works for you. What I will tell you is this:

1.) Rejection is important to our growth and the quality of our work.

And there’s a blade thin line artists walk. Where the sting and wound of rejection can, in fact, topple us over and we may never rise again. It happens. All the time. So, when you think about being a writer—I want you to think hard about this one truth—

Your work will be rejected. Your words and ideas, your stories and the depths of your heart on page, will be thrown back at your feet and declared unwanted. But here’s the secret. It does not matter if they believe in your work. It doesn’t matter if they find it worthy. All that matters, is that you believe.

Your work is not you. So your novel was rejected and, if you were lucky (yes—lucky I said) they gave you some scathing or tepid advice about why. I’m willing to bet the editors did not say “You’re shoes are dumb and your breath smells like coffee farts. Oh, and your momma was a Clydesdale.” And if they did—that editor was having a really shitty day and you should send them some flowers—back on point. You are not your work. Rejection of your work is not a measure of your worth as a person or as a writer. Everything in life that we want to get better at, takes practice, and the best practice includes mistakes and their inherent lessons. Your work is not perfect, but it is changeable. You are not perfect, and you don’t have to be. Rejection of your work means you are out there, in the business building a better story and standing behind it. Don’t take it personally.

If they do offer you any advice, cutting or kind, PLEASE respond with a heartfelt thank you for their time in helping you become better. Assure them that you’ll consider their input and try again as guidelines allow.

And your mother doesn’t look like a Clydesdale.

But she’s a pretty momma.

2.) Submitting your work gets easier.

I remember the first few poems, short stories, and novels that I submitted, and it felt like sending my babies out into a wild cavern full of hungry wolves. It was heart wrenching to wait and equally devastating to hear that they’d been torn apart and spit out. But, with the aforementioned advice on rejection I’ve learned that a rejection notice isn’t a ticket to give up and stop trying. It’s one opinion, it’s one grade, it’s one lesson. And there are too many more to try to waste the time fretting over the one.

So, keep trying–submit like a goddamn machine. Schedule it, prioritize it, research possible avenues for your work. Put aside time each week to find the right places for your voice. Record where you’ve submitted, when, the cost, the call-back date, and the work (this is especially important if no simultaneous submissions are part of the rules *see #3 below*). The more you submit, the wider the net you cast, the more likely you are to catch something. Don’t keep submitting to the same publisher/agent/journal/paper, with the same story/novel/poem/essay and expect different results.

3.) Read the Damn Guidelines and Follow Them As Though Your Life Depended On It.

Seriously, my pen pals, I cannot stress it enough. It irks the hell out of me to have a beautifully written story in a waste pile because you didn’t take the time to read the requirements, word count, genre, or editor’s rules. Sometimes one of the biggest filters any job/class/test/editor uses is the simple test of if the candidate can follow directions. So don’t be the douche that thinks you’re above jumping all the hoops. Show them respect by following the details. Then wow them with your work.

4.) Take the small wins

I don’t care if your local church newsletter published your tuna casserole recipe (how Minnesotan of you, Sarah!) or you had a haiku featured on a blog, or had a guest editorial in a nationally ran newspaper. Take it! Enjoy it, and pat yourself on the back. These are the small steps that help you understand that your perseverance leads to good things and eventually, bigger things. Don’t go resting on your church cookbook laurels though. Celebrate and get back to work.

5.) Think about your endgame and plan accordingly

There are a lot of readers in the world (Hell, I’m one! I know you’re one!) which means there are eyes and minds out there for every story. Whatever your endgame is for your writing, decide early. Are you doing this to build a platform for future projects? Are you submitting because you love that particular journal? Is it for the love of your story? Or is it for profit or prestige. TO BE CLEAR: NEITHER OF THOSE ARE WRONG. But the path to each will be greatly different. So steer your submitting towards what you want to be when you grow up, whether that’s a world-wide best selling author, a respected indie poet, or someone who’s work affects even just one other person.

Well–That’s all I’ve got this month for advice on submitting. Do it prolifically. Don’t take rejection personally. Stay true to your voice and purpose as a writer and author.

Until next week. Happy Writing.

Poetry 2-25-21

Gentle reminder that I’m still accepting submissions for “Wilderness of Soul: The Beautiful Stuff Poetry Anthology 2021”. Check out the website for details and contact me with any questions.

And now… this.

The Poet

 Write me a poem about love
 that doesn’t end 
 in the breaking of hearts
 the rending of souls
 once sewn together in trust.
  
 Write me a sonnet
 where all affection
 is requited
 a balanced scale
 love gained and returned.
  
 Write me an ending
 not wrought with cages
 and dungeons of guilt
 and sharp glass
 and bloodlines on wrists.
  
 Write me a poem about love,
 that doesn’t end.
 Where every morning 
 breaks in brilliant hues of 
 hope, patience,
 passion divine.
  
 I cannot,
 I will not 
 replies the poet
 For I only write 
 in truths. 

Dime Store Novel: Episode Two

And now–a continuation of last month’s “Saturn Rising

(If you need to catch up, here’s the link to Episode One: https://thebeautifulstuff.blog/2021/01/21/dime-store-novel-episode-one/)

Photo by Pixabay on Pexels.com
 
 “Where in the hades are we taking this—thing?” she barely acknowledged the bound and now gagged girl in the seat next to him. The gag had been Laria’s idea. Though their ‘package’ had come willing with Link’s smooth and deep-voiced insistence that she had nothing to fear, Laria couldn’t have her sobbing out thanks or screaming in alarm. They had enough ferking problems. 
 
Getting off of T’Elliot’s ship hadn’t exactly been graceful and Laria suffered a deep gash when a lucky blaster shot had caught her arm as they’d tumbled through the airlock and activated the emergency escape course. Thank Kronos her ship was smarter than Link. The girl looked at Laria from beneath long, black lashes and a shiver ran beneath her suit. Those nebulous eyes, deep and trusting, reminded her of Edmund D’Sol. He had those eyes. Too soft for a place as hard as The Ring. Maybe this girl was a Prophetic also. Maybe she was just a girl that someone wanted.
 
“I’m not into flesh trafficking, Link, so you’d better have something else in mind.”
            
“Ugh, do you think me so crass?” Link placed his hand over the heart of his blue leather vest. Leather. Remnant of the creatures that had almost made a go of it in some of the settlements. Almost. Nothing survived out here. 
             
“I don’t know what to think of you anymore,” she shook her head.
             
“Now that hurts! Eight years we’ve been out here and you’ve never cut me so deep.”
             
“We both know that’s not true.”
           
“I forgive you my finger.” He said and held up the shortened digit in salute.
             
“Forgive me? Listen, you deserved that ounce. Probably more.” 
            
 “And to this day I’ve learned my lesson not to touch unless invited.” He smiled. She felt a small tickle in her cheeks, as though they were trying to mimic it. “Is that invitation still waylaid, or can I expect it soon—”
          
“The girl, Link. Focus.”
             
He rolled his eyes. “Someday, Eularia, you’ll see me for the catch I am.”
             
“I already know of at least three things I’d catch from you so, no thanks. The girl.” 
             
“Titan,” he said the word like a bitter taste in the back of his throat.
             
“No ferkin—”
             
“Titan, the far side,” he repeated.
             
“I—”
             
“Hate me?”
             
“Don’t like this. This whole thing. This isn’t Dolarian Chickens, Link! This is a kronosdamn human! Who pays for humans? No one good, I can tell you that much.”
             
“Do you want to get out of The Ring or not?”
           
Laria set the course to stay in the orbit of the second ring then spun her chair around to face the girl. Reluctantly, and with a scowl so fierce she might have been able to overthrow a government with it, Laria removed the gag from the small triangle of her face. The girl did not scream, only studied Laria, curiously.
             
“You are from a different people,” she said softly and in broken words. “Mismatched eyes, very rare. Are you alien?”
             
“Oh for…no! I’m a Mutt.” Laria shifted uncomfortably. 
             
“But you have old blood…something…before Royal even—” The girl’s face was in awe.
             
“I didn’t ungag you to talk about a lot of old people that I wouldn’t give two shits for. I wanna know who you are.”
             
“I am Rhea.”
            
 “Wow! The goddess? Funny, I imagined you taller.” Laria dismissed.
             
“Rhea D’Sol.” Rhea elongated the last name and stared at her pointedly. Laria cocked her head and shied away from the coincidence.
            
 “And?” she said, as if that was supposed to mean something.
             
“I am the map to the Conduit.”
             
“Like I said, a map.” Link said, a wave of his hand and everything explained.
             
“A map is a set of coordinates, laser brain, not a kronosdamn person.”
             
“I am the map to the Conduit,” the girl repeated, as if for the first time. The revelation meant nothing to Laria even on the second go around. She sighed, the line between her eyes deepening.
             
“Right. A map. Cool—” she rubbed the line inadvertently hoping the headache behind it would magically stop. “Link. I swear to the gods—”
             
“I promise, its nothing shady!”
             
“If we get there and its some drooling old Royal looking for his kicks with a fourteen—”
             
“I am fifteen—”
             
“Year old kid,” Laria interrupted. “I will tie you to a lanyard and drag The Ring with you.”
             
“I swear, Eularia—”
             
“I will hit e-ve-er-y ferking rock in The Ring, Link.”
             
“Understood, Captain,” he leveled his deep brown, olive eyes on hers and smiled. Laria buried her head in her hands and nodded. 
             
“I guess we’re headed to the dark side of Titan. Buckle up, ferkers. It’s gonna get rough.”
  
 *          *          *          *
  
 “God is a mean-spirited, pugnacious bully bent on revenge against His children for failing to live up to his impossible standards.”
  W. Whitman
  
 Evangeline A’Faust hated Saturn. Mostly, she hated Saturnians. But today she set into motion a plan that would allow her to leave this Kronos forsaken out-post, once and for all. Based on a prophecy she had intercepted in the grit of The Ring; she began planning the acquisition of an important map that would lead to a Conduit. A Conduit which, she hoped, would open a portal to a new planet. 
 
She had always been underestimated; the spoiled daughter of the Supreme Council Leader himself. But she had no desire to take control of this planet’s dying population. She wanted a new solar system to mine. More bountiful profits to gain. She could be the Supreme Goddess of a new world if she desired, unfettered by the laws of this one. Evangeline smirked at the turbulent and impassable rings outside her window. The key to her power was on a ship not six-marks from them. By the end of the moon rise in Titan, she’d have the map and soon the Conduit.

Evangeline looked down at her manicured nails and picked a bit of crusted blood from one corner; murdering the Prophetics who knew of the Conduit had proven to be nasty, bloody business. But one she took pleasure in. Bloodshed could only lead to a higher purpose, higher than any who had come before her. And, after all, Saturn’s Children were born to be sacrificed.
 
When the vastness of space began to close in on her, she turned away from the viewing deck and clasped her hands carefully in front of her robes. She’d sent that idiot, Janus A’verlink, for the map, having learned by removing a Prophetic’s organs, one at a time, that it was in the possession of T’Elliot’s pirating crew. The Ring Rats were also attempting to at gain control of the Conduit, it seemed. Her back-up, because where Janus ‘Link’ A’verlink was concerned one should always have a back-up, was to have her best and most viscous marksman go after them and clean up any Ring Rat interlopers that might try to take control of the map. 

It was a delicate balance to maintain. But Evangeline loved balance. 

Poetry 2/11/21

Good morning!

Just a quick reminder that the poetry anthology is accepting submissions until September of 2021. I’m already receiving some truly amazing work. In the next few months I will be featuring and promoting the poets who have submitted their work. I encourage you to support their work and check out their other writing endeavors. If you have something to contribute to the “Wilderness of Soul” please feel free to contact me at sereichert@comcast.net.

Today, I’m offering up a couple of poems in semi-celebration of this strange month of ‘love’. Enjoy the broad spectrum of heart.

 
SCARS
 Growing a scar is hard.
 The wound never stops throbbing
 It’s enough to keep you awake at night
 And irritated during the day.
 The thrashed skin, angry and red,
 Prying open at the slightest provocation
 So you wrap the bandage
 Good and tight,
 Until the rest of the limb
 Distal to the wound
 Throbs with its chokehold, 
 Gasping for blood. 
 No blood, 
 But no pain either
 And no dead skin, 
 Hanging to catch on your clothes.
 Reminding you
 At every minute
 Bump against door,
 Hair toss
 Or paper turn
 That someone,
 You love
 Cut you. 
 
 
 Lizzy
  
 We were girls in tall grass
 Running with scraped knees
 And dry throats.
  
 Disappearing into the past
 When things were simple
 When life was sunshine
 And big-dipper gazing
  
 We were the past 
 I can’t quite recall anymore
 But the whisper of memory I hold on to 
 Like the edge of a cliff
  
 What if I forget?
 Will we both stop existing?
 Will we snuff out 
 Without the constant loop playing 
 Over and over in my memory?
 Do I keep you alive?
 Or does your memory keep me?
  
 Your bike gears were gritty with sand
 and the vinyl on your seat was cracked
 so you never sat.
  
 You were never still.
 You were perpetual motion 
  
 And magic kept you aloft.
  
 How still and fallen you lay now.
 The earth is tender and cruel
 Around bones that once
 Commanded the rotation of the skies.
   

Romancing The Story

Please tell me I’m not the only one who remembers these movies. I think, they may be partly to blame for my current profession (not the karate instructor—the other one, that pays even less). I loved the quirky, unrealistic way that the original frumpy romance novelist came upon adventure and began living the kinds of stories she only wrote about before. I also loved that by the second film we see her living this exotic and adventurous life and still suffering writers block brought on by lack of romance in her characters.

How I imagine I look as a tough-ass romance novelist
What I actually look like, flannel pjs and all.

Because no matter how much adventure, vine-swinging, sheik angering, and Jewel finding you do, if you’re not in love with your novel, no one else will be either.

Bam. Mic drop. Blog finished, I can go take a nap….

*sigh* ok, I’ll elaborate.

Romance isn’t just about what happens between the sheets in a typical Harlequin. Romance is about creating a smolder, a heat, an intrigue between your characters, and between your story and your readers.

When I titled this blog, I worried I would lose those writers who focus on different genres and have little need for ‘romance’. Suck that (respectfully), we all need romance. Humans are born to seek out connection. Now, the phases of it and levels of requirement are different. But the truth remains that if there isn’t chemistry between your characters…be it platonic, hate, or lust…the story will fall flat.

Well, gee whiz, Sarah, what do I do about my Scifi Cowboy Inter-dimensional six book series where no speaking women exist because I’m THAT kind of author.

how much talent, great story writing, and acting did we lose in this era from all the stereotypical, misogynistic bullshit? The world may never know.

First of all—ugh, way to cut out 50% of the entire thinking, capable, and amazing population and demote us to some hot object in a skimpy space suit, so 1960’s of you. Secondly, your ‘lone star’ lead has to have some connection to someone or something. A loyal side kick, his long-lost brother, his space ship, or *puke* if you must, even some hot object in a space suit.

Otherwise, he lacks a pathway for your reader to connect to him. Characters that ‘don’t need anybody’ are fine, but you may find that attitude extends to your readers. They won’t need him either. Characters, even the lone wolf, are better if they really do need people and are just too afraid to say something, until somewhere in act three.

“Hurrumph—well, I write non-fiction only. There is no romance. Its fact and common knowledge. I do not deal in fluff.”

Lady, (or mister?) listen. The numbers of readers you will get from a book that is all fact and no heart (i.e. romance) will be disappointing. I can’t think of a single person who goes back to their high school American history book and eats up 100 pages on the American Revolution (I’m sure they exist okay, there’s nothing wrong with a good ol’ informative book). I can, however, name numerous people all salivating over Hamilton tickets. Why? Because THAT story, makes us fall in love with the characters. The writer found romance in the people, situation, and actions of the time. It created a bond by connecting us to common feelings, needs, and emotions. And that’s what romance is really about in writing. Appealing to the human divine in all of us.

So, in this made-up month of love, explore your current work in progress and ask yourself if you are in love with these characters, their story. Ask if your character is hell-bent and heart centered on someone or something three-dimensional to ground themselves to. Is it throwing spice into the reading? Or is the plot fizzling? Where and how can you use romance to draw in and maintain your reader’s attention?

After all, romance is not romance, if it doesn’t have an anchor of reality at its heart.

Poetry, Pasts, and Lessons Learned

One of the things I love most about poetry, especially the words you write in the heat or ache of intense emotion, is that even when you’ve healed up and haired over, reading those words makes that moment real and bright once again in your mind.

Hopefully, when those poems and words are the rock-bottom kind, we can look back, feel the gut-sting, and thank our lucky stars that we wrote the words down instead of burying them inside to fester. Because like trials and hardships, joys and celebrations, everything in life is in constant motion. We live in flux, and especially as writers, must catch the moments on their sharpest edge to be reminded, in the dull lulls between, that life is brilliant and biting, and every moment worth being present for.

I hope you all have some dark words out there, and by out there I mean on a page or in a journal and not sitting still inside your chest. I hope you all are walking in brightness now, with a touch of perspective and an appreciation for the battles that made us stronger.

And now, this:

Spectre

Dawn breaks
and the spectre of you
lives in my chest
ever-claiming, each cell of my useless heart

I wake and you softly stir
the creature in my rib-bone cage
a wooden spoon against an empty pot
you push my blood to move
to exist
and though I so desperately fight
against the notion,
I blink

I rise

If only you’d leave me in peace
I could go
stop fighting, stop pushing
stop throbbing heart beats against
this useless existence
and tissue paper flesh.

It goes on in this way
from the rise of the sun
cresting over head
to when it crashes back down
over the western sky

Still you stay

fighting to continue
determined to survive
against ribs that long to be still
and lungs aching to be emptied one last time

Night comes like false reprieve
bearing sleep, the closest I can come
to separating my soul from your memory
a little death where I can close my eyes and pretend
the uplifting will finally cut the tie
the chain of love, I so stubbornly tied.

But dawn breaks
And the spectre of you
still wakes in my chest.

2021 Beautiful Stuff Poetry Anthology Submissions

From now until September 30th I will be accepting poetry submissions to be considered for The Beautiful Stuff 2021 Poetry Anthology “Wilderness of Soul”.

This anthology will loosely follow the themes of nature, growth, transformation, self-awareness and personal resilience.

Poems may not exceed 80 lines, must be previously unpublished (unless it was on author’s website), and must be the original work of the author. Please send all submissions to: sereichert@comcast.net, or via The Beautiful Stuff website: (https://thebeautifulstuff.blog/contact/) with the subject line “Wilderness of Soul Submission”

In the body of your email, please include the title; your poetry, your name, and a short bio. You may submit up to three poems for every entry. You may submit as many times as you would like, but please ensure that each submission includes different work. If your work is a simultaneous submission please let me know.

There is no fee for submitting.

Every submission will be read and, if selected, the author will be notified by October 15th, 2021 via the contact information provided.

Winners will receive 2 free copies of the anthology, promotion through The Beautiful Stuff Blog, and a chance to have the book entered into the Colorado Book Awards for 2021. Authors will also have the option to purchase more copies at a discounted rate.

You may email me or message me via Facebook with any questions or concerns you have about the contest rules and submissions. As usual, I welcome poetry along the entire spectrum of creativity (from the traditional to the strange, from the sparkly-sunshine to the darkly macabre) but will reject any work that glorifies or promotes extreme violence, racism, sexual degradation, or harm against another human being.

That’s the long and the short of it. So send me something good. Give me guts and heart, all the dark and light of your thoughts. I look forward to reading your poems and giving you a chance to showcase your work!

Have a little poetry:

CONNECTION

Photo by Martin Lopez on Pexels.com

Beats the rhythm

Inside my chest,

Shaking the tender bones of my ear

Arousing the eternal chorus

The human heart beat,

The womb of sound and voice

That speaks in vibrations to

The celestial mathematician

Caged inside my cells

How we dance,

Humans

How we shake our heads and hips

Filling up the empty dark

With the pulsing light-magic of sound

Pouring warm caramel voices

over triplet beat

Reaching into the inner primordial

Tying strings to our bones

Weaving stories through our

Muscle fibers,

Puppeteering our

hip locks and drops

In the same wave of motion

Connecting us

Without color or god.

Resonating with all

That is

Our divine.