Guest Blog: Nina Naylor

Good morning! Today’s guest blog comes to us from the incomparable Nina (pronounced 9-uh) Naylor. She will be featured in the “Wilderness of Soul” anthology and I’m excited to share her work here with you. Nina has a beautiful approach to the world, writing, and how we all feel as wordsmiths with regards to calling ourselves ‘real writers’.

Here’s a little bit about her:

Nina Naylor is a writer, poet, and essayist.  She wrote her first poem at age 8.  She is a member of Northern Colorado Writers and the Academy of American Poets.  She has had poems, essays and articles published in organizational publications.  


Nina was able to take early retirement and has been focusing on her writing dream.  She is currently working on a poetry book, a book of prayers, and a memoir.  

The subject of her first poem?  A dancing pig!

I spent the last few days fretting about driving down to Denver alone to visit my
granddaughter. The address existed in an area my mind at once equated being outside my
comfort zone. The various degrees of fear rampantly invaded my rational thinking, and my
inner critic flooded my brain with negative outcomes and reasons why I should not go. But this
cannot be the individual I confidently relate to when I envision that person inside me in its
truest form! That woman who embraces all things new and enterprising…who still wants to
experience the exhilaration of adventure – the kind that excites and awakens my soul, that
allows me to explore new cultural diversities in an unbiased demeanor…who wants to see the Divine Light that shines throughout!

This same consternation relates to my internal dance of viewing myself as a writer and
not. To move past the wishing stage and be vulnerable enough in sharing myself with the
world. My writing engulfs me – it lives in my soul and to lay myself open to ridicule, critiques
and rejection seemed incredulous.

Nevertheless, my adventurous soul still burns – aches to be released and my lifelong
dream to write and be published flourishes! Friends and family encouraged my writing
throughout the years, but not until I found the fortitude to believe in myself along with the
willingness of mind, body and spirit did my journey come to fruition. Last year at Christmastime
a dear friend rewarded me with the ultimate gift of support: a poetry book by another woman
who recently found the courage to share her soul along with my friend’s accompanying
sentiment “I’ve been fortunate to hear some of your poems and stories. Now, I want others to
experience the joy of reading them.”

Each year I choose a word to live by and this year my word comes from Debbie Z.
Almstedt’s book Zibu: The Power of Angelic Symbology . My word Rakumi means “clarity of
purpose
” and the accompanying affirmation is “I continue to gain clarity as I listen within
knowing the answers unfold with ease.
” To fully embrace the adventure and accept myself as a
writer opens opportunities each day by being willing to believe and surround myself with
positive motivations. This entails positive friendships, writers’ groups, reading the genre l like to​
write, and sending my work for consideration. I encourage you to seek out what truly fulfills
your soul.

Just so you know, I still can have doubts, but they don’t last. The night before I found
out two of my poems would in the anthology, I had thought to myself, “who am I to think I can
write?!” Believe in yourself…put yourself out there…be willing.

I like to write acrostic poetry and I will leave you with one using my word for this year.

R eceiving
A nswers and
K nowledge.
U nfolding
M yself
I ntentionally.

By the way – the outing with my granddaughter and her boyfriend in Denver? Joyous!!

Guest Blog: Nathaniel Luscombe

Good morning! Today’s post comes to us from one of our lovely neighbors to the North. Nathaniel Luscombe is an up and coming writer from Canada who holds a deep love for all sorts of written things. He’s been featured in three anthologies “There is Us”, “Faces to The Sun”, and the sci-fi fantasy collection “Among Other Worlds”. He’s currently working on the release of his first novella along with other writing projects.

In today’s blog he’s exploring the journey he’s taken so far in his love of writing. His insights into the process, the highs and the lows are something we can all relate to. Look forward to his brilliant poetry being featured in this fall’s “Wilderness of Soul” poetry anthology. Enjoy!

Photo by Pixabay on Pexels.com

Hello writers! I am so excited to be writing to everyone who reads this blog. My name is Nathaniel Luscombe, and I have, as of being let into this anthology, been accepted for publishing four times. Well technically three, but that’s something we’ll talk about a little later on.

My focus for this blog is on writing and the fear of not succeeding. I think anyone who writes has faced fear of not being enough. Writing is such a personal experience. We’re taking our own experiences, thoughts, and ideas out of our minds and putting them down on paper for anyone to read. 

That is quite a startling reality.

It’s also an exciting process.  

This is my third poetry anthology. I consider myself to be a science fiction and fantasy writer, but somehow poetry always calls my name at some point. My first anthology was There is Us, run by the phenomenal poet SJ Blasko. My second one was Faces to the Sun, also run by her. The thing that drew me into these anthologies was the topics. There is Us was all about COVID-19 and our experiences during those first few months. Faces to the Sun covers topics of mental health. Both of them are, in my opinion, incredibly important anthologies. One of them documents one of the biggest events in recent history, while the other tackles stigma and opens up a conversation. 

In March of this year, I was able to publish the anthology that I ran. It was quite the experience, and sometimes I look back with bits of regret and disappointment at how it turned out, but it was an important first step for me. That anthology is Among Other Worlds, and it was split into science fiction and fantasy. It was terrifying to run my own project, but I was able to work with amazing authors. While I made mistakes, it’s still a tangible first step. 

Now with all this behind me, and so much hopefully ahead of me, I have to think about what some of my next steps are going to be. 

See… being published three times does not mean anything. I am still so full of doubt and fear. Every time someone mentions that they read one of my works, I want to hide under a pillow for fear of them not enjoying it. Writing is the process of baring one’s soul, and there would be nothing worse than rejection from the people around me. That’s why this anthology came in at a perfect time. 

 Wilderness of Soul is all about vulnerability, raw feelings, and openness. I think that is such an exciting and important theme for a poetry anthology. My prose is always quite light-hearted, following escapades through space or people using their magic to better their world. Poetry is my escape. It’s the darker side of me, where I pour out my feelings and emotions without letting anything hold me back. I truly believe that poetry is the most vulnerable form of writing. It is a window to the soul, a path to the wilderness of soul (heh, see what I did there?)

 So in some ways, publishing poetry is a lot more daunting than publishing a story. It’s not as filtered, and it connects directly to who I am. So now we have established the fear portion of writing. It’s a fear that everyone shares, but everyone wants to get over it. 

 So let’s work on that together. I want to talk about some things that I have come to terms with in my own journey of conquering the fear of sharing my writing. 

 First, people will enjoy your writing. When I read through my previous anthologies, there are obviously things I enjoy more than others… but I can appreciate and enjoy each piece as its own creation. Each author took a step into the unknown, not knowing whether they would be rejected or not, and it’s up to me as a reader to see what their vision was. So know that you have an audience. You have supporters. You have talent. 

 Second, let’s look at the logistics of it all. There is so much focus on writing something that will ‘make or break’ you. I disagree with this notion so strongly. The idea that my ‘debut’ is what represents me for the rest of my life is garbage. I am going to continue changing and growing as a person. My talent with writing will grow, my style will change, my ideas will blossom… and my debut will be a beginning, not an ending. You have more than one chance to make your mark. I am only eighteen. I used to pressure myself to become the best writer, thinking I had to be a published writer by the age of 20. I wanted to hit NYT Bestseller lists, go to writing conventions, have a crowd of adoring fans… I know what you’re thinking, “Umm, Nathaniel, that’s a bit unrealistic.” Yeah, it is. It’s unrealistic, but it’s something I felt pushed onto me because of the pressure to become ME by the time I was an adult and remain that person until I died. Obviously, with writing being such a big part of who I am, I thought that I had to have my writing fully developed by that time as well. Take your time, have some fun, and don’t turn your writing into a chore. Get rid of the fear that you only have one shot. I am on my fourth shot. These are not shots, these are opportunities. I am not here to make it big. I’m here to offer my voice for a project I believe in.

 My third and final point is watching the advice that you take. I have spent so much of my life taking advice from people I hold no respect for or who know nothing about what I’m doing. Advice is never a bad thing, but how seriously you take it should depend on the person it is coming from. How does this connect to fear? Well the fear of becoming a failure is rooted in people that give you a lot of self-doubt. There is a barrier between healthy confidence and being straight up cocky. I do not think the publishing world is going to bow at me and give me every opportunity I want. I also don’t think my journey is going to be rejectless. I expect a long, rough road… but I am excited and ready to get into it. For a while, I thought that I had no chances because I was listening to people that didn’t have my best interests and weren’t in a position in my life that should’ve allowed them to get to me. You need to realize that everyone has a chance at this. You might end up as a writer, you might not end up as a writer. Either way, at least you tried. 

 Writing this all out has been so freeing. Call it closure, call it the need to figure out my issues, but this is the most intimate piece of writing I have put out for a while. It’s not as detailed as it could be, but some things are better left inside. I just want to be the one to give you a boost of confidence. Let me encourage you as a writer, because I bet you have an amazing story to tell.

Poetry 7-8-2021

Ladies and Gentleman, I give you an older work of mine for this week, refurbished and reworked. The process of poetry is one of constant motion. If you’re bored (as my children often claim they are in the hot months of summer) I encourage you to find an old work of your own and give it a refresh.

I will only be accepting submissions for a couple more months for The Beautiful Stuff’s 2021 Poetry Anthology. Send me your stuff and we’ll have an awesome little email chat.

Enjoy this little trip up a trail with a broken heart.

Photo by Valeriia Miller on Pexels.com
Exhale

Who knew? 
	(breathe in)
This sickening depth of damage you’d leave?
         (blow it out slow)
The hole so deep and wide
an ache so subtly gnawing
	(don’t forget to breathe again…)

Good riddance, I’d said
	(force air in)
Don’t let the fucking door hit you
        (fake bravado exhale)

I’m better off.

I don’t 
	(Gasp)
Need
        (Pant)
You

I don’t need you…

Air bounces around 
frantically looks for an exit,
erupts from the empty cavern of my chest
bursting its way out of my lungs. 

I don’t need…you
	(ragged breath) 
		
Hold still now.

Listen.

To the sound of hollowness inside,
Was it like this before?

Was my heart always a black hole?
it beats with the scrape of metal on glass,
leaves dry water rings in the bottom of a heat-baked pot.

Where is the air?


Dizzy
     Trees
 	whirl

The rumble of thunder but no relief of rain
The one shoe drop.

Your end of the phone
dead, weighted silence.

Good
	(shiver)

Finally, you’re gone!
	(breathe, damn it)

Finally…
Tears trace down dusty length of my neck

you’re
(Gasp, Gulp, Cough)

Gone.

Darkness drops and nothing but space grows
 	in the garden of a heart once so carefully tended.

I don’t need you.

(exhale)


Guest Post: Bethany Beeler “Mother Bend”

Mother Bend

Photo by Guillaume Hankenne on Pexels.com


You pry out and
Bend my bones, hack off my hair to
Spend on whores of imagination,
Toil for bread and say,
“Fed!” to hollow eyes and shrunken
Bellies. The sweat of my
Breasts is dry, your new
Words lost to me, clipped
Tongue shorn of old
Speech, I beseech from you some answer, some
Will to less than power in this
Hour of your need.


In my previous guest-poet post on The Beautiful Stuff , I said that “the absorber of a poem
eavesdrops on the speaker’s liminal/threshold experience.” That is, poetry is eavesdropping on
an experience of the speaker unselfconsciously being themselves, unaware of being
watched/heard.


Poet and speaker are not necessarily one and the same. The poet creates a glimpse of another
soul’s thought or experience. The craft of poetry is like that of any other fiction, to suspend
disbelief—to so absorb the reader that the reader forgets that they’re “reading/hearing” anything
but rather are sharing in an inner experience that would otherwise be inaccessible.

In short, poetry is a mutually welcomed telepathy.
There’s a creepy factor to that eavesdropping but also a magik. In daily experience, we can’t read each other’s thoughts. Poetry invites us to a “sixth sense,” accessible to anyone.

We don’t need telepathic superpowers (unless, of course, poetry is that superpower).
The voice of “Mother Bend” is not my own. I attempt to telepathically grasp the inner world of
the speaker and reveal it to you. I’m not here going to say who that speaker is. After all, the poem
must speak for itself. I invite you to join in my attempt at telepathy, to widen both our souls. As
you listen/read, I ask you to frame your own questions. You can start with Who is “Mother
Bend”? To whom does she speak? Why is “Mother Bend”?
Enjoy finding out.

Poetry 6-10-21

Good morning, readers. Today’s poem comes from me. And all my dark, little underbelly areas. I hope you enjoy. Remember that I’m still accepting submissions for the “Wilderness of Soul” Anthology coming out this fall. Email me your name, a short bio, and up to three poems for consideration. Thanks!

And now, this:

Photo by Gareth Davies on Pexels.com
Maker’s Hill

We t2wo climbed Maker’s Hill
In the cold calm
Where quiet winds spoke our truth
Before we signed our names

Straight lines,
Blood ink.

We t2wo climbed Maker’s Hill
Your hand warm in mine
Nary a tremor, 
Showing the branches above

The strength of spirit
On first steps towards Home
Lightning our baggage
Before setting off.

We t2wo climbed Maker’s Hill
For to lay in a sea of damp grass
And share the sharp ticket 
First you, then I.
Then we.

Listening with fingertips
As your pulse beats into the dirt
And feeling the fading light
As flesh calmly goes cold.

We t2wo climbed Maker’s Hill
In the breaking heart of dawn
The resolution
The only thing we’ve ever 
Been sure of.

We t2wo climbed Maker’s Hill
We thre3 did not return.

 

Guest Poet: John Lipp

Hello poetry lovers. I realize I’ve given you three consecutive weeks of poems to read and dwell on, but in this increasingly busy season of end-of-school activities, and my own personal work schedule, I’m pleased to be able to offer something diverse, impactful and economical (aka isn’t monopolizing anyone’s limited time). So, with that, it is a great honor to introduce this next poet to you. I didn’t realize I’d put them so closely together, so if you recognize the name from a few weeks back, you are not wrong in assuming John is one half of a dynamic duo of poets.

Photo by anna-m. w. on Pexels.com

Ya’ll, I can’t be more excited to introduce his work here. He has a brevity and flow that feels like it needs a backbeat and could be something I’d belt out in my car when it comes on the radio. Take a minute with it, roll it round your brain. See if you feel the rhythm to his words and phrasing. It’s magical. I’m only offering one of his poems here but there are two more to be included in this Fall’s upcoming anthology.

Here’s a little bit about John:

John Lipp is firstly, a new father and lucky husband. He did what every 13 year old with a guitar would do, and played in blink-182 cover bands through adolescence, so most of his writing has been devoted to mediocre punk rock. He devoted last November to strengthening his skills in poetry, abstaining from his usual time-wasters. He is currently co-writing a book on the effects of the death of a father (funnier than it sounds), and writing a tandem novella/ concept album about a time traveling boy band from 1999. He’s sure it will work out.

Photo by Mariana Montrazi on Pexels.com

Eraser

Be it the end of a stick, the keys that you click, or a bottle of white slick liquid that sticks and affixes itself to fix what is inadequate; you have a purpose, to change.

Nature grows a branch that won’t stand a chance, but the pruner’s cut offers a contrary stance. Where torrential storm was once in control, the loss of one limb has strengthened the whole. 

But have you not changed what is to come? Do these mistakes constitute becoming undone? You change the words, you change what’s to pan. Once the name of the tool, now the name of the man.

Poetry 5-20-2021

Photo by Keenan Constance on Pexels.com

Lost Things

Of all the things

I miss the most

it must be the weightless

loss of care.

The summer’s days,

kicked out of walls

adventures lived

and dreams built

out of coffee cans

and warped two by fours.

Of all the things

I miss the most,

it’s the softness

of a first kiss

the anticipation and yearning

before politics

or power plays

muddled the field

and made every touch of passion

a pawn on a game board.

something to be won

something to be earned.

something lost.

Of all the things

Photo by Kristina Paukshtite on Pexels.com

I miss the most,

It must have been their tiny hands

wrapped around my finger

and the sleepy warmth

of their heads tucked

into my shoulder

we were safe there,

just the three of us.

Before the world came down on them

with screens and images

of unreachable ideals

skipping meals and

pinching skin.

Of all the things

I miss the most

It was feeling

like the world was someplace

magical and filled

with potential for

the good

the better

the brighter future ahead.

Before the dark gray blanket

covered my eyes

and suffocated all

dawning hope

Poetry Guest Blog: Lauren Newman Lipp

Good morning, all. Today’s beautiful contribution comes to us from a tremendously talented, kind-hearted, and all-around stellar human being. I’ve known Lauren for over five years now and every single time I get to talk with her, she just makes me feel like the world is a better place to be in.

The poem below, as well as two other, equally moving pieces, will be featured in “Wilderness of Soul” later this year!

Here’s a little about her:

Lauren Newman Lipp is a typical millennial that loves Harry Potter, early 2000’s emo music, and writing passionate pieces that reflect everyday life and struggles. She’s been expressing herself through the written word since her favorite teacher, Ms. Cowdry, taught her how to write in Kindergarten. Since then, she’s explored many forms of writing and loves the mighty power a pen can hold (although she sometimes ditches the pen for a keyboard). She earned a Bachelor’s degree from CSU Fort Collins in English, and her claim to fame is writing an A paper only hours before it was due in class. She has read “Othello” more times than she can count and loves to discuss the many complexities of Iago’s character. She spent some time teaching Language Arts and trying to pass along her love for reading and writing to 6th graders. These days, Lauren spends her time trying to make her husband laugh, playing with and chasing her toddler, and working on a novel about werewolves.

And now, Ladies and Gents; the incomparable Ms. Lauren:

Glug-Glug Lullaby

Photo by cottonbro on Pexels.com

Staring into my pre-portioned glass of red wine,

5 ounces exactly,

I beg for a revelation to fall over top of me.

To crumble over my shoulders and open my eyes wider.

A light to burn out the dark.

But instead, 

I just feel my edges fuzz, and my insides warm

And I do realize something.

Only one thing:

That I could

Dump the rest of the bottle into my glass,

Indulging in the “glug-glug”

That plays while pouring

Too fast with no control, no remorse…

And then just sip away

Till my eyes grow heavier and my edges blur.

But the idea that I could, scares me

And brings me closer 

To the mother I don’t want.

I am also brought closer 

To  feeling empathy for her

Understanding, and now knowing 

How soothing

That “glug-glug” could sound

Inside my ringing ears. 

Guest Poet: Bethany Beeler

Good morning, Beautiful Readers! Today’s blog and poem come to us from the incredibly talented Bethany Beeler. https://www.bethanybeeler.com/. Please enjoy an in-depth look at why poetry offers us intense and true experience, in an angel’s breath of time and, as Beeler so eloquently says, “poems are your and my experience of a unique and intimate moment that can’t be replicated

I would love to see some discussion on this blog so shoot me your comments and questions. Also, look forward to enjoying some of Bethany’s poetry in The Beautiful Stuff’s new anthology “Wilderness of Soul“, out next Fall.

Here’s a little more about Bethany and where you can find her work:

Author of North Street Book Prize Finalist, How to NOT Know You’re Trans., and artist, Bethany A. Beeler was born and raised in the Pittsburgh, PA area. After college, she settled in Texas for the next 37 years with her wife Pamalyn, raising three children, and mayoring the city of Krum, TX. She’s been a professor, teacher, and tech writer. Her work has been published in The Twinbill.

Links

Website – https://www.bethanybeeler.com/

Amazon Author Page – http://amazon.com/author/bethanybeeler

Facebook – https://www.facebook.com/BeautifulBuddhaBethanyBeeler/

Medium – https://medium.com/@beautifulbuddha

Twitter – https://twitter.com/bethany_beeler

Instagram – https://www.instagram.com/beautiful_buddha_bethany_b/

Goodreads – https://www.goodreads.com/

Another Kiss


Goddess fingernail moon over pines,
Crepe myrtle early
Bloom. Huntress
Belt, chaste and fair, Hekate
Gift and swoon. Thrush song’s
Dark, creeping
Cold
Grips my soul. Walk apace,
Venture, snap,
Brittle face, I
Take her lavender
Kiss, lips trembling. I
Sing silent, sibilant, unsated heart, hand in
Nest, breast aflame, this

(Nipple spark)
Touch too wet,
Soft. I
Hush, her hand awash in
Me, greet, guide, hold, caress, I
Burst, dripping
Star and comet, quasar and
Dust, fecund harvest,
Birdsong lush in night of
Morn and noon. She takes
Me home too soon to sleep in
Parted lips, hastening another
Kiss.

In The Alphabet Versus the Goddess , Leonard Shlain says that “written words and images are
entirely different ‘creatures.’ Each calls forth a complementary but opposing perceptual
strategy.” He’s wrong in two ways—words and images are not merely complementary but are
abstractions of a deeper reality, which, of course, also means they aren’t in opposition at all.
That deeper reality is experience, which is neither an abstraction nor a material thing but an
event that is life itself. Nowhere do we better see the wholeness of which image and word are but
facets than in poetry. Poems are liminal moments of experience. If novels can be likened to
movies and short stories to snapshots, poems are not even the camera flicking on; they’re the
threshold between “on” and “off,” an event that can’t be filmed or recorded but experienced only.
We don’t observe poems. We live them.

In poetry, words cease to be signifiers but image things themselves, and images cease to be
“like” anything but word experience itself. When I write a poem, I’m both aware of and
oblivious to being watched. The absorber of a poem is eavesdrops on the speaker’s
liminal/threshold experience. I am not the speaker of my poems, but we couldn’t eavesdrop on ​
that speaker without me as the poet and you the voyeur. I hope you feel the same about poems
you write and ones you take in. Whether composed or received, poems are your and my
experience of a unique and intimate moment that can’t be replicated. The quality of your and my
experience and the event you and I consummate is more unique than you and I are individually.
Here, in this moment, at this doorway, we meet in a way we’ll never meet again, even upon
repeat couplings. Ours forever, it can’t be taken away.

So what is “ours” about “Another Kiss”? I love words sounding to me without my thinking about
them. I want their thud, slither, or hiss to knell me and you without their having to “mean
something.” Simply put, I try to make words “image” experience for you and me.
That being said, consciously or not, I don’t choose just any words to thud, slither, or hiss us.
Those chosen words image a river of cultural and personal significance for you and me. In a
poem, we step into a river that was there before us, caresses us right now, and will tug us after.
But you and I change its course. For the better. In a way no one alone, nor any other pairing of
persons can recreate.

But I want us to recreate, too. And “Another Kiss” is as sensual a poem as they come. I
swallowed this night, wooed by plants, scents, breezes, stars. I invite you to seduce the event, as
the event. For you and I are the event. Enjoy.

Guest Poetry: Jennifer Lockwood George

Ya’ll, I’m super excited to feature this next artist. Not only is she a beautiful writer, and a wonderful person, but the poetry she sent me is some of the most sensual, melodic, and moving work I’ve read in a while (AND anyone who knows my novels, knows I have a particular longing in my heart for Mainers). Please enjoy and feel free to share!

Our beloved poet, Jennifer Lockwood George comes to us from the coast of Maine, where she teaches writing to college freshmen who live in little Zoom boxes with their names in the corners. She graduated with her MFA in Creative Writing from the University of Southern Maine in 2019. Her work has appeared in The Kankakee Daily Journal, Muse, Stonecoast Review, and The Ginger Collect. Her novella was published serially in The Silver Pen’s Youth Imagination online literary magazine. She has also been a guest writer on the Celebrities in Disgrace blog.





Photo by Bryan Geraldo on Pexels.com

And Then Nothing Happened

You pretended your English was terrible.
You asked me to stay
to sort out your syntax,
to smooth your eager consonants
and soften the accent
that told stories you would never pronounce.

I would not correct the music that came from your lips.

You wanted me to turn grammar into an aria.
You leaned closer as I sang each conjugation.

I pretended I wouldn’t give my right arm
to hear you play the piano,
but I could have spent forever watching you
coax desire from ivory and wood.

I wanted to hear you recite Lizst
with your eyes closed,
tilting your chin upward in rapture
tightening your jaw at the climax,
rosé wine tinting your cheeks at the final decrescendo.

You taught me scales and finger positions.

We were forbidden liquor; neither of us would drink.

You called my name as I left your studio.
My coat was on.

You offered me wine.
The notes you poured flowed over the piano keys
and onto the floor, flooding the room,
rising from my feet,
to my ankles, then my knees.

My vision blurred.
My coat became a drunkard’s snare,
my purse strap a bond I could not escape.

I fought against your concerto,
fought not to sway
fought not to dive into the flow
fought not to ask you to pour more.

I could not reach the door;
Music’s brazen kiss had backed me against the wall—

Until your fingers collapsed on themselves
and you forgot how the rest of the song went.

Your cheeks were pink.
I forgot to breathe.

I almost recited the entire thesaurus for you.