Guest Poetry: Elliana Byrne

Good morning. Today’s poetry comes to us from a former and continuing contributor to The Beautiful Stuff’s Poetry Anthology. Ms. Byrne has a knack for gripping the guts with her poetry and, as an almost graduated student at the University of Boulder, she is finding her way with a powerful voice in the world.

Elliana spends her days reading (sometimes for fun…most times for class), daydreaming, and writing. She studies English Lit and dabbles in short stories and poetry when possible. She enjoys life best curled up with a good book and her cat, Gil. You can read her work in last year’s anthology “No Small Things” (https://www.amazon.com/gp/product/1692331558/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&psc=1

And now this:

Photo by Sourav Mishra on Pexels.com
Clean Slate

I want to wipe away 
the grievances 
of your skin
and its heated strokes against mine
and darken the unforgiving universes 
of your eyes
that know and
do not know me.

But the treasonous mind
casts wayward glances,
over shoulders turned cold
and the love and ache of wounds
that should be healed over
resound in weakening heart beats.

The disloyal heart
casts out lines and currents that have 
battled the boards of my ship
and sunk it deep, now lies 
desolate and quiet a tomb
on the ocean floor
waiting, in vain,
for a tug of interest.

My dissonant soul vibrates in time
to the sound of yours
even when the harmonic waves
shake my teeth and
dislodge my brain
and seize my nerve endings
and tell me
to clean you off
close my eyes,
turn my back to
and cut the lines
cover ears and
regain
what once was
me.


Guest Blog: Nina Naylor

Good morning! Today’s guest blog comes to us from the incomparable Nina (pronounced 9-uh) Naylor. She will be featured in the “Wilderness of Soul” anthology and I’m excited to share her work here with you. Nina has a beautiful approach to the world, writing, and how we all feel as wordsmiths with regards to calling ourselves ‘real writers’.

Here’s a little bit about her:

Nina Naylor is a writer, poet, and essayist.  She wrote her first poem at age 8.  She is a member of Northern Colorado Writers and the Academy of American Poets.  She has had poems, essays and articles published in organizational publications.  


Nina was able to take early retirement and has been focusing on her writing dream.  She is currently working on a poetry book, a book of prayers, and a memoir.  

The subject of her first poem?  A dancing pig!

I spent the last few days fretting about driving down to Denver alone to visit my
granddaughter. The address existed in an area my mind at once equated being outside my
comfort zone. The various degrees of fear rampantly invaded my rational thinking, and my
inner critic flooded my brain with negative outcomes and reasons why I should not go. But this
cannot be the individual I confidently relate to when I envision that person inside me in its
truest form! That woman who embraces all things new and enterprising…who still wants to
experience the exhilaration of adventure – the kind that excites and awakens my soul, that
allows me to explore new cultural diversities in an unbiased demeanor…who wants to see the Divine Light that shines throughout!

This same consternation relates to my internal dance of viewing myself as a writer and
not. To move past the wishing stage and be vulnerable enough in sharing myself with the
world. My writing engulfs me – it lives in my soul and to lay myself open to ridicule, critiques
and rejection seemed incredulous.

Nevertheless, my adventurous soul still burns – aches to be released and my lifelong
dream to write and be published flourishes! Friends and family encouraged my writing
throughout the years, but not until I found the fortitude to believe in myself along with the
willingness of mind, body and spirit did my journey come to fruition. Last year at Christmastime
a dear friend rewarded me with the ultimate gift of support: a poetry book by another woman
who recently found the courage to share her soul along with my friend’s accompanying
sentiment “I’ve been fortunate to hear some of your poems and stories. Now, I want others to
experience the joy of reading them.”

Each year I choose a word to live by and this year my word comes from Debbie Z.
Almstedt’s book Zibu: The Power of Angelic Symbology . My word Rakumi means “clarity of
purpose
” and the accompanying affirmation is “I continue to gain clarity as I listen within
knowing the answers unfold with ease.
” To fully embrace the adventure and accept myself as a
writer opens opportunities each day by being willing to believe and surround myself with
positive motivations. This entails positive friendships, writers’ groups, reading the genre l like to​
write, and sending my work for consideration. I encourage you to seek out what truly fulfills
your soul.

Just so you know, I still can have doubts, but they don’t last. The night before I found
out two of my poems would in the anthology, I had thought to myself, “who am I to think I can
write?!” Believe in yourself…put yourself out there…be willing.

I like to write acrostic poetry and I will leave you with one using my word for this year.

R eceiving
A nswers and
K nowledge.
U nfolding
M yself
I ntentionally.

By the way – the outing with my granddaughter and her boyfriend in Denver? Joyous!!

Guest Blog: Liyona Cicone

Hello writers and readers! Today’s blog comes to us from a winning contributor of The Beautiful Stuff’s 2021 Poetry Anthology “Wilderness of Soul”.

Liyona considers herself an “average joe” kind of writer who likes to think about ordinary things and then write them down. Ever since she can remember, she has been rhyming words and creating lyric poems. During her college years, she took a more serious bent toward writing and started to post on her blog, The Life and Times of a Quirky Character (https://liyonadancer100.wordpress.com/category/writing-2/). Currently, she resides on the East Coast of the United States just north of the country’s capital. Liyona’s prose have been published in Visual Verse, Flora Fiction and Spillwords. You can also find her commenting and collaborating as a Barista at the Go Dog Go Cafe.

As you read through this journey of one writer’s process, I urge you to think about your own methods, style, obstacles, and ‘safe’ spaces for writing.

Photo by Lisa on Pexels.com

Hello everyone, my name is Liyona. I am so excited to be sharing a bit about myself and my writing journey.

I have always enjoyed writing and creating stories. From a young age, I scribbled down notes and stories about fantasy worlds and characters. As I grew older, I found writing to be a cathartic way to transmit my thoughts and feelings and continued to write but through poems and short prose pieces.

My favorite and ‘safe’ space is found in free form poetry where there is no rhyme or meter. In this form, I love to create rhythms and beats that are evident if you read the poem out loud.

Over the past year, I have been challenging myself to submit to online magazines and weekly prompts. This has been an amazing challenge that has pushed my writing to the next level. I find that by working to time frames and prompts I am required to be intentional about word choice and decisive in editing. Usually, I take time mull over a prompt and let it sit in my subconscious for a while. Then, I take only a few minutes to respond to a prompt or to create a new poem. This allows me to release every idea onto the page. From there, I will re-read/edit my work by reading the poem out loud.

The rhythm is very important to me; during this stage I will make changes based on beats and measure, almost like a song. I tend to release a poem and post it soon after it is written. This allows me to keep creating, keep moving forward and continue stretching my writing so that I am able to create new and more interesting pieces. I am very happy to be part of this poetry anthology. It is such a wonderful opportunity to share my work and meet fellow writers!

Guest Poet: John Lipp

Hello poetry lovers. I realize I’ve given you three consecutive weeks of poems to read and dwell on, but in this increasingly busy season of end-of-school activities, and my own personal work schedule, I’m pleased to be able to offer something diverse, impactful and economical (aka isn’t monopolizing anyone’s limited time). So, with that, it is a great honor to introduce this next poet to you. I didn’t realize I’d put them so closely together, so if you recognize the name from a few weeks back, you are not wrong in assuming John is one half of a dynamic duo of poets.

Photo by anna-m. w. on Pexels.com

Ya’ll, I can’t be more excited to introduce his work here. He has a brevity and flow that feels like it needs a backbeat and could be something I’d belt out in my car when it comes on the radio. Take a minute with it, roll it round your brain. See if you feel the rhythm to his words and phrasing. It’s magical. I’m only offering one of his poems here but there are two more to be included in this Fall’s upcoming anthology.

Here’s a little bit about John:

John Lipp is firstly, a new father and lucky husband. He did what every 13 year old with a guitar would do, and played in blink-182 cover bands through adolescence, so most of his writing has been devoted to mediocre punk rock. He devoted last November to strengthening his skills in poetry, abstaining from his usual time-wasters. He is currently co-writing a book on the effects of the death of a father (funnier than it sounds), and writing a tandem novella/ concept album about a time traveling boy band from 1999. He’s sure it will work out.

Photo by Mariana Montrazi on Pexels.com

Eraser

Be it the end of a stick, the keys that you click, or a bottle of white slick liquid that sticks and affixes itself to fix what is inadequate; you have a purpose, to change.

Nature grows a branch that won’t stand a chance, but the pruner’s cut offers a contrary stance. Where torrential storm was once in control, the loss of one limb has strengthened the whole. 

But have you not changed what is to come? Do these mistakes constitute becoming undone? You change the words, you change what’s to pan. Once the name of the tool, now the name of the man.

Poetry Guest Blog: Lauren Newman Lipp

Good morning, all. Today’s beautiful contribution comes to us from a tremendously talented, kind-hearted, and all-around stellar human being. I’ve known Lauren for over five years now and every single time I get to talk with her, she just makes me feel like the world is a better place to be in.

The poem below, as well as two other, equally moving pieces, will be featured in “Wilderness of Soul” later this year!

Here’s a little about her:

Lauren Newman Lipp is a typical millennial that loves Harry Potter, early 2000’s emo music, and writing passionate pieces that reflect everyday life and struggles. She’s been expressing herself through the written word since her favorite teacher, Ms. Cowdry, taught her how to write in Kindergarten. Since then, she’s explored many forms of writing and loves the mighty power a pen can hold (although she sometimes ditches the pen for a keyboard). She earned a Bachelor’s degree from CSU Fort Collins in English, and her claim to fame is writing an A paper only hours before it was due in class. She has read “Othello” more times than she can count and loves to discuss the many complexities of Iago’s character. She spent some time teaching Language Arts and trying to pass along her love for reading and writing to 6th graders. These days, Lauren spends her time trying to make her husband laugh, playing with and chasing her toddler, and working on a novel about werewolves.

And now, Ladies and Gents; the incomparable Ms. Lauren:

Glug-Glug Lullaby

Photo by cottonbro on Pexels.com

Staring into my pre-portioned glass of red wine,

5 ounces exactly,

I beg for a revelation to fall over top of me.

To crumble over my shoulders and open my eyes wider.

A light to burn out the dark.

But instead, 

I just feel my edges fuzz, and my insides warm

And I do realize something.

Only one thing:

That I could

Dump the rest of the bottle into my glass,

Indulging in the “glug-glug”

That plays while pouring

Too fast with no control, no remorse…

And then just sip away

Till my eyes grow heavier and my edges blur.

But the idea that I could, scares me

And brings me closer 

To the mother I don’t want.

I am also brought closer 

To  feeling empathy for her

Understanding, and now knowing 

How soothing

That “glug-glug” could sound

Inside my ringing ears. 

Guest Poet: Bethany Beeler

Good morning, Beautiful Readers! Today’s blog and poem come to us from the incredibly talented Bethany Beeler. https://www.bethanybeeler.com/. Please enjoy an in-depth look at why poetry offers us intense and true experience, in an angel’s breath of time and, as Beeler so eloquently says, “poems are your and my experience of a unique and intimate moment that can’t be replicated

I would love to see some discussion on this blog so shoot me your comments and questions. Also, look forward to enjoying some of Bethany’s poetry in The Beautiful Stuff’s new anthology “Wilderness of Soul“, out next Fall.

Here’s a little more about Bethany and where you can find her work:

Author of North Street Book Prize Finalist, How to NOT Know You’re Trans., and artist, Bethany A. Beeler was born and raised in the Pittsburgh, PA area. After college, she settled in Texas for the next 37 years with her wife Pamalyn, raising three children, and mayoring the city of Krum, TX. She’s been a professor, teacher, and tech writer. Her work has been published in The Twinbill.

Links

Website – https://www.bethanybeeler.com/

Amazon Author Page – http://amazon.com/author/bethanybeeler

Facebook – https://www.facebook.com/BeautifulBuddhaBethanyBeeler/

Medium – https://medium.com/@beautifulbuddha

Twitter – https://twitter.com/bethany_beeler

Instagram – https://www.instagram.com/beautiful_buddha_bethany_b/

Goodreads – https://www.goodreads.com/

Another Kiss


Goddess fingernail moon over pines,
Crepe myrtle early
Bloom. Huntress
Belt, chaste and fair, Hekate
Gift and swoon. Thrush song’s
Dark, creeping
Cold
Grips my soul. Walk apace,
Venture, snap,
Brittle face, I
Take her lavender
Kiss, lips trembling. I
Sing silent, sibilant, unsated heart, hand in
Nest, breast aflame, this

(Nipple spark)
Touch too wet,
Soft. I
Hush, her hand awash in
Me, greet, guide, hold, caress, I
Burst, dripping
Star and comet, quasar and
Dust, fecund harvest,
Birdsong lush in night of
Morn and noon. She takes
Me home too soon to sleep in
Parted lips, hastening another
Kiss.

In The Alphabet Versus the Goddess , Leonard Shlain says that “written words and images are
entirely different ‘creatures.’ Each calls forth a complementary but opposing perceptual
strategy.” He’s wrong in two ways—words and images are not merely complementary but are
abstractions of a deeper reality, which, of course, also means they aren’t in opposition at all.
That deeper reality is experience, which is neither an abstraction nor a material thing but an
event that is life itself. Nowhere do we better see the wholeness of which image and word are but
facets than in poetry. Poems are liminal moments of experience. If novels can be likened to
movies and short stories to snapshots, poems are not even the camera flicking on; they’re the
threshold between “on” and “off,” an event that can’t be filmed or recorded but experienced only.
We don’t observe poems. We live them.

In poetry, words cease to be signifiers but image things themselves, and images cease to be
“like” anything but word experience itself. When I write a poem, I’m both aware of and
oblivious to being watched. The absorber of a poem is eavesdrops on the speaker’s
liminal/threshold experience. I am not the speaker of my poems, but we couldn’t eavesdrop on ​
that speaker without me as the poet and you the voyeur. I hope you feel the same about poems
you write and ones you take in. Whether composed or received, poems are your and my
experience of a unique and intimate moment that can’t be replicated. The quality of your and my
experience and the event you and I consummate is more unique than you and I are individually.
Here, in this moment, at this doorway, we meet in a way we’ll never meet again, even upon
repeat couplings. Ours forever, it can’t be taken away.

So what is “ours” about “Another Kiss”? I love words sounding to me without my thinking about
them. I want their thud, slither, or hiss to knell me and you without their having to “mean
something.” Simply put, I try to make words “image” experience for you and me.
That being said, consciously or not, I don’t choose just any words to thud, slither, or hiss us.
Those chosen words image a river of cultural and personal significance for you and me. In a
poem, we step into a river that was there before us, caresses us right now, and will tug us after.
But you and I change its course. For the better. In a way no one alone, nor any other pairing of
persons can recreate.

But I want us to recreate, too. And “Another Kiss” is as sensual a poem as they come. I
swallowed this night, wooed by plants, scents, breezes, stars. I invite you to seduce the event, as
the event. For you and I are the event. Enjoy.

Guest Poetry: Jennifer Lockwood George

Ya’ll, I’m super excited to feature this next artist. Not only is she a beautiful writer, and a wonderful person, but the poetry she sent me is some of the most sensual, melodic, and moving work I’ve read in a while (AND anyone who knows my novels, knows I have a particular longing in my heart for Mainers). Please enjoy and feel free to share!

Our beloved poet, Jennifer Lockwood George comes to us from the coast of Maine, where she teaches writing to college freshmen who live in little Zoom boxes with their names in the corners. She graduated with her MFA in Creative Writing from the University of Southern Maine in 2019. Her work has appeared in The Kankakee Daily Journal, Muse, Stonecoast Review, and The Ginger Collect. Her novella was published serially in The Silver Pen’s Youth Imagination online literary magazine. She has also been a guest writer on the Celebrities in Disgrace blog.





Photo by Bryan Geraldo on Pexels.com

And Then Nothing Happened

You pretended your English was terrible.
You asked me to stay
to sort out your syntax,
to smooth your eager consonants
and soften the accent
that told stories you would never pronounce.

I would not correct the music that came from your lips.

You wanted me to turn grammar into an aria.
You leaned closer as I sang each conjugation.

I pretended I wouldn’t give my right arm
to hear you play the piano,
but I could have spent forever watching you
coax desire from ivory and wood.

I wanted to hear you recite Lizst
with your eyes closed,
tilting your chin upward in rapture
tightening your jaw at the climax,
rosé wine tinting your cheeks at the final decrescendo.

You taught me scales and finger positions.

We were forbidden liquor; neither of us would drink.

You called my name as I left your studio.
My coat was on.

You offered me wine.
The notes you poured flowed over the piano keys
and onto the floor, flooding the room,
rising from my feet,
to my ankles, then my knees.

My vision blurred.
My coat became a drunkard’s snare,
my purse strap a bond I could not escape.

I fought against your concerto,
fought not to sway
fought not to dive into the flow
fought not to ask you to pour more.

I could not reach the door;
Music’s brazen kiss had backed me against the wall—

Until your fingers collapsed on themselves
and you forgot how the rest of the song went.

Your cheeks were pink.
I forgot to breathe.

I almost recited the entire thesaurus for you.

Guest Poetry: Sourav Sarkar 3-25-21

Good morning!

Today, I am pleased to feature the work of a stunning poet from India, Sourav Sakar. Sourav is a graduate of University B.T. & Evening College and received his post graduate from St. Josephs College in Darjeeling. His poems have been published in England, India, Bangladesh, America, Canada, and Trinidad. He is the author and creator of the Dead End Poetry Movement which you can follow here: https://www.facebook.com/Sourav-sarkar-poetry-794116610755710

Also, a gentle reminder that I will be reading my short story “Rinse, Reincarnate, Repeat” at CopperMuse Distillery this Sunday (March 28th) from 4-6. If you are in the Fort Collins or Northern Colorado area, I’d love to see you there. Along with a fun little story about God, Love, Stardust, Split-Aparts, and dogs, this incredible distillery will be featuring a special cocktail to go along with the story.

And now, this beautiful selection from our friend, Mr. Sakar:

Photo by Benjamin Suter on Pexels.com

Take over

Your presence is a gift to the world

You have two options here to live

Whether you be a slave of a follower of your own

Suppose you are a young bird travelling light years through time

And spreading magical sprinkles

To acquire living

Suppose yourself  also to be cloud

 Wallowing forest fires;

You motive will determine to move towards

Deserted roads or to a new destination

Then you will hear the sound of winds clashing together violently

You will be detached and  secluded

Having no sense of organ

You may think about aesthetics

Or animism

You have to take over the state of being alive

You have to break that metallic surface that is self made

By hoax.

Photo by Bhavesh Jain on Pexels.com

Faithful

Shut the doors

shouted master for a while

there were no passers by

on the road,

Indian summer had come,

thirsty water lands had been dried up

coconut sellers were showing pride

weather was clumsy and tight

and lazy boys were not there

might be sleeping in the schools

they took help of books

ice cream pedlars were looking dull

roaming about for hours

but a doggy was sitting still

his eyes were at the door

master took him and shut the door.

Poetry 3-11-21

Good Thursday to you, Beautiful writers and readers. I’m still accepting submissions for this year’s Beautiful Stuff Poetry Anthology “Wilderness of Soul”. Please send me your work (up to 3 poems, no more than 80 lines, with a short bio) to be considered for publication in the fall of this year as well as promoted on this site.

I’m so impressed and happy at the poems and writers who’ve been sending in their work and I will begin featuring them here on this blog beginning at the end of this month. For today though, you’re stuck with me.

Enjoy, and happy writing.

 
 Things I Love, Great and Small
  
 I buried my children’s fish today
 in the frozen ground
 where I had to chip through
 the hardened clay 
 for a hole just big enough,
 a palm’s worth
 of dirt
 to lay the spine twisted body
 of a once vibrant and
 complex machine
 who flowed with grace and ease 
 for miles around his five-gallon domain.
  
 I scraped my knuckles,
 the ground was so hard 
 in late February
 while birds sung above me anxiously 
 jumping the gun on spring
 singing of life
 of rebirth
 While the cold air bit the tip of my nose
and melted frost
seeped into the knees of my pajamas
where I knelt in dead grass.
  
 Why not just the toilet? 
 one easy handle pull in the warmth
 and comfort
 of the inside?
  
 Because things I love,
 those I cared for and looked after
 lives I've nurtured
 don’t belong in the toilet
 or the sewer
 or the river of waste and unwanted.
 Things I love,
 now still and soul departed
 belong in the arms of a mother
 the nurturing life of soil beside
 highways of roots

 they belong to the body
 of life and the circle 
 of growth and decay.
 Things I love
 great or small
 deserve the care and effort
 of kneeling and toiling
 of cold knees and watering tears.
  
 Things I love
 are not waste…
 are not forgotten.
 no matter how great
 or small.
  
  
   

Poetry 2/11/21

Good morning!

Just a quick reminder that the poetry anthology is accepting submissions until September of 2021. I’m already receiving some truly amazing work. In the next few months I will be featuring and promoting the poets who have submitted their work. I encourage you to support their work and check out their other writing endeavors. If you have something to contribute to the “Wilderness of Soul” please feel free to contact me at sereichert@comcast.net.

Today, I’m offering up a couple of poems in semi-celebration of this strange month of ‘love’. Enjoy the broad spectrum of heart.

 
SCARS
 Growing a scar is hard.
 The wound never stops throbbing
 It’s enough to keep you awake at night
 And irritated during the day.
 The thrashed skin, angry and red,
 Prying open at the slightest provocation
 So you wrap the bandage
 Good and tight,
 Until the rest of the limb
 Distal to the wound
 Throbs with its chokehold, 
 Gasping for blood. 
 No blood, 
 But no pain either
 And no dead skin, 
 Hanging to catch on your clothes.
 Reminding you
 At every minute
 Bump against door,
 Hair toss
 Or paper turn
 That someone,
 You love
 Cut you. 
 
 
 Lizzy
  
 We were girls in tall grass
 Running with scraped knees
 And dry throats.
  
 Disappearing into the past
 When things were simple
 When life was sunshine
 And big-dipper gazing
  
 We were the past 
 I can’t quite recall anymore
 But the whisper of memory I hold on to 
 Like the edge of a cliff
  
 What if I forget?
 Will we both stop existing?
 Will we snuff out 
 Without the constant loop playing 
 Over and over in my memory?
 Do I keep you alive?
 Or does your memory keep me?
  
 Your bike gears were gritty with sand
 and the vinyl on your seat was cracked
 so you never sat.
  
 You were never still.
 You were perpetual motion 
  
 And magic kept you aloft.
  
 How still and fallen you lay now.
 The earth is tender and cruel
 Around bones that once
 Commanded the rotation of the skies.