Guest Poet: Bethany Beeler

Good morning, Beautiful Readers! Today’s blog and poem come to us from the incredibly talented Bethany Beeler. https://www.bethanybeeler.com/. Please enjoy an in-depth look at why poetry offers us intense and true experience, in an angel’s breath of time and, as Beeler so eloquently says, “poems are your and my experience of a unique and intimate moment that can’t be replicated

I would love to see some discussion on this blog so shoot me your comments and questions. Also, look forward to enjoying some of Bethany’s poetry in The Beautiful Stuff’s new anthology “Wilderness of Soul“, out next Fall.

Here’s a little more about Bethany and where you can find her work:

Author of North Street Book Prize Finalist, How to NOT Know You’re Trans., and artist, Bethany A. Beeler was born and raised in the Pittsburgh, PA area. After college, she settled in Texas for the next 37 years with her wife Pamalyn, raising three children, and mayoring the city of Krum, TX. She’s been a professor, teacher, and tech writer. Her work has been published in The Twinbill.

Links

Website – https://www.bethanybeeler.com/

Amazon Author Page – http://amazon.com/author/bethanybeeler

Facebook – https://www.facebook.com/BeautifulBuddhaBethanyBeeler/

Medium – https://medium.com/@beautifulbuddha

Twitter – https://twitter.com/bethany_beeler

Instagram – https://www.instagram.com/beautiful_buddha_bethany_b/

Goodreads – https://www.goodreads.com/

Another Kiss


Goddess fingernail moon over pines,
Crepe myrtle early
Bloom. Huntress
Belt, chaste and fair, Hekate
Gift and swoon. Thrush song’s
Dark, creeping
Cold
Grips my soul. Walk apace,
Venture, snap,
Brittle face, I
Take her lavender
Kiss, lips trembling. I
Sing silent, sibilant, unsated heart, hand in
Nest, breast aflame, this

(Nipple spark)
Touch too wet,
Soft. I
Hush, her hand awash in
Me, greet, guide, hold, caress, I
Burst, dripping
Star and comet, quasar and
Dust, fecund harvest,
Birdsong lush in night of
Morn and noon. She takes
Me home too soon to sleep in
Parted lips, hastening another
Kiss.

In The Alphabet Versus the Goddess , Leonard Shlain says that “written words and images are
entirely different ‘creatures.’ Each calls forth a complementary but opposing perceptual
strategy.” He’s wrong in two ways—words and images are not merely complementary but are
abstractions of a deeper reality, which, of course, also means they aren’t in opposition at all.
That deeper reality is experience, which is neither an abstraction nor a material thing but an
event that is life itself. Nowhere do we better see the wholeness of which image and word are but
facets than in poetry. Poems are liminal moments of experience. If novels can be likened to
movies and short stories to snapshots, poems are not even the camera flicking on; they’re the
threshold between “on” and “off,” an event that can’t be filmed or recorded but experienced only.
We don’t observe poems. We live them.

In poetry, words cease to be signifiers but image things themselves, and images cease to be
“like” anything but word experience itself. When I write a poem, I’m both aware of and
oblivious to being watched. The absorber of a poem is eavesdrops on the speaker’s
liminal/threshold experience. I am not the speaker of my poems, but we couldn’t eavesdrop on ​
that speaker without me as the poet and you the voyeur. I hope you feel the same about poems
you write and ones you take in. Whether composed or received, poems are your and my
experience of a unique and intimate moment that can’t be replicated. The quality of your and my
experience and the event you and I consummate is more unique than you and I are individually.
Here, in this moment, at this doorway, we meet in a way we’ll never meet again, even upon
repeat couplings. Ours forever, it can’t be taken away.

So what is “ours” about “Another Kiss”? I love words sounding to me without my thinking about
them. I want their thud, slither, or hiss to knell me and you without their having to “mean
something.” Simply put, I try to make words “image” experience for you and me.
That being said, consciously or not, I don’t choose just any words to thud, slither, or hiss us.
Those chosen words image a river of cultural and personal significance for you and me. In a
poem, we step into a river that was there before us, caresses us right now, and will tug us after.
But you and I change its course. For the better. In a way no one alone, nor any other pairing of
persons can recreate.

But I want us to recreate, too. And “Another Kiss” is as sensual a poem as they come. I
swallowed this night, wooed by plants, scents, breezes, stars. I invite you to seduce the event, as
the event. For you and I are the event. Enjoy.

The Brink…

The eve of the New Year feels different this year.

We’re standing on the precipice of a deranged, hurtful, hateful, fearful time of existence, wishing that the turn of the calendar will somehow magically allow us all to step into a new world, free of the worries and trials nipping at our heels. The hope that a new vaccine, a new administration, a new awareness, a new number on the end of the date will lead to a year that won’t be a complete and total shit show is riding on our shoulders and settling into our veins, like a bandage to a too-deep wound.

Picture a six inch gash that needs hundreds of stitches, antibiotics, and physical therapy. We’re talking muscle deep. And the change from the 31st to the 1st is the Curious George band aid you got from the elementary school nurse.

I’m not saying this to be a Debbie Downer.

I’m saying this to be cautious (Cautious Kate?) that a socially constructed but otherwise meaningless mark of ‘time’ doesn’t determine a great paradigm and brink-of-destruction shift.

I’m saying this to tell you—if you need that date to start a different way of doing things, then Hu-fucking-zzah to you and get on it, Girl (or Bro?) but don’t think that the minute shift to a new year is going to change the world itself.

That calendar flip won’t do anything until we change.

Until we start giving a damn about other human beings.

Until we start understanding if our environment dies, so do we.

Until we start to understand that science seeks truth and power corrupts.

Until we stand on our own, think for ourselves, and treat everything we touch (physically, mentally and emotionally) with the same care, empathy, and love as we would our own child (or cat if you’re a fur momma) our world will never improve.

I’ve thought often of ending this blog in the past year. Sometimes it feels like it’s all for nothing. One voice shouting into a vast expanse of darkness. One voice raised against so many overpowering facets of corruption. One voice aching for connection.

But I know I’m not the only one. And as long as our collective lights continue to shine, there will never be complete darkness. So I will stand for another year. For another day. For as long as it takes until love overpowers hate, for as long as it takes for humans to wake up to the gift of their existence.

For as long as I draw breath, I’ll write. I’ll shine.

This next year will bring about more poetry as well as a new request for submissions from readers and poets for a second anthology from The Beautiful Stuff. There will probably be some ranting, some raving, and some venting. I can’t help that—and I’m not going to try or even apologize for it.

I’m also planning on running a ‘dime novel’ series that will include some weekly submissions of short stories (a la novella style) ranging from sci-fi/fantasy, to romance, to speculative fiction.

Stay in touch, and I’ll announce submission dates for not only guest blog pieces, poetry, and anthology submissions, but also for “dime novel” contributions.

Until then…keep shining.

If you must make New Year’s resolutions, don’t think about a smaller pair of pants, but how you can make your voice and your power bigger in this world. Don’t think so much about an organized closet, but an organized movement towards social justice.

Let’s aim our sights on living large of heart in this new year.

The Human Genre

 

We’re not only defined by what we chose to do in our lives, but how we do it. We are categorized by outward and inward perceptions, each of us, akin to novels, and are thusly classified into genres.

 

Ah, she’s a romantic mystery with a dash of humor.

That guy over there is a political intrigue, with a splash of old school patriarchy.

Ah, she’s a pushy self-help, peppered with self-righteousness and a healthy pinch of praise-Jesus.

That lady over there is a bitter cozy mystery with a hint of post-menopausal lack of fucks to give.

 

We are defined by the things we do. We’re put into categories by people we know, and by companies that gather our data. Even when we don’t ask for it, we’re given a neat little label. And sometimes, when we’re overloaded and overworked, we start using that label as our only sense of self, as we desperately try to remember our purpose… And sometimes, we use those labels as a scapegoat for our less-than-desirable behaviors.

 

I’ve been trying to meditate every day and have been working through a series on my app (yeah, look at me, getting all tech-savvy with an app to help me reconnect with my humanness…seems oxymoronic) about acceptance, depression, letting go, and stress management.

 

One recurring phrase I hear is: You are not your thoughts or your feelings.

 

This is a hard concept to grasp.

Humans are this odd mishmash of biology and higher neuronic thought processes. I mean on one of our great ape-grasping hands we’re barely getting used to this hairless bipedal thing, on the other hand we’re philosophical, heavy in the head, braining entities who, when left to our own devices will overthink ourselves into a coma.

Maybe there’s a fear that if we disconnect to our thoughts then we won’t know who we are.

Maybe we fear we’ll lose the basis of our existence if we let go of the ideas and feelings tethering us down.

 

But this is not so.

 

You see, thoughts and emotions change. All the time. And the reason humans become so miserable is that we tie ourselves to them, try to define ourselves by them. Then we are less apt to let them go, especially when they hold the addictive qualities of self-spiraling sadness and anger. We feel sad. We are sadness. We feel anger. We’re angry humans.

Conversely, when we are happy or elated and the emotion passes, as it will with the natural ebb and flow of life, we cling to it desperately and feel like something’s gone wrong when its tying us down.

Should we let go of happiness. No. Should we reject sadness and admonish ourselves for anger? Absolutely not. Be in the moment, with the emotion, understand it is a feeling, acknowledge it and let it go. You’re all that’s left.

 

Just as we aren’t tied to labels; we are not one genre, we are all genres.

 

Why is it important that we understand this?

 

Two reasons:

 

If we are boxed in to what the world has categorized us as, to our labels, we won’t know we can change. We become stagnant and perpetuate behaviors that are detrimental to our happiness and the benefit of humanity.

 

Secondly: We will feel trapped. And trapped animals lose the will to live. Without will, without passion, we cannot create, we cannot solve, we cannot continue to thrive in the world.

 

So how do we escape?

 

Here’s the dirty little secret:

 

I’m not entirely sure.

 

I think it has something to do with opening your mind to new ideas, allowing yourself to be different, to change the things about your life you don’t want to be a part of anymore, without guilt or self blame, and to let go of the idea that you are the personification of your thoughts and feelings.

 

You can be anything. Or just some things.

 

Or nothing at all.

 

Cross genres. Explore. Maintain your free will. While those that seek to control will tell you, free will is our greatest vice as human beings, that it causes us to make decisions that don’t align with status-quo, religious concepts, or dictator-imposed law and thus brings about the downfall of society, this is not the case.

 

There’s a reason the Dark Ages happened.

 

Free will, your ability to change, to move, to think differently are vital to not just survival but your purpose in life.

 

So what genre are you today?

 

In Defense of the Senses

Happy Wednesday good people of the world. Extra Happy Wednesday to the bad ones…since you probably need more happy.

 

Today, I’m writing about the beauty of the human senses.

 

The human senses are invaluable to a writer, being the most surefire way to engage your reader in what the main character is feeling/seeing/hearing/tasting/smelling and, if you’re really good at the descriptive narrative, making them feel as though they are feeling/seeing/hearing/tasting/smelling the same things.

 

Senses are powerful. The words you choose to describe them must be impeccable to harness this power.

 

I realize, if you aren’t a writer, you may feel left out. Well I never leave a person behind, so hang on.

 

Why in the hell does a human need to explore their senses if they’re not showing someone the glint of moonlight on glass?

 

Well, hear me out, human.

 

Every single one of us, writer or no, deserves to indulge in our senses.

 

Why? Why is it important?

 

Well, shucks! Thanks for asking, new paragraph that makes my self-questioning seem rational…

 

Because part of living beautifully, is living with purpose which is closely tied to living in the moment, and living in the moment has everything to do with connecting to what is real, around you presently…not the feeling of a chair you sat in five days ago, or the way spring will smell eight months from now.

 

I’m talking about being present through the use of gifts you’ve been given.

 

Sit still for Christ’s sake. Seriously. Just sit.

silhouette of man sitting on grass field at daytime
Photo by Spencer Selover on Pexels.com

Someplace safe and comfortable, turn off your goddamn phone, close your eyes and listen.

Take a deep breath, really hear the wave of it rush in and out against the shore of your throat. Listen to what you can only hear when you stop moving, and worrying, and obsessing. Bird chatter, the quiet hum of the neighbors AC unit (hey, not every sound is some natural wonder sent to give you soulful clarity.) Maybe it’s the squeal of tires outside or the school bell in the distance. Now, before you start having judgments or memories, or ideas that are inspired by what you can hear in silence, let those noises go. Let them pass through your brain like clouds in a sky. Take a deep breath.

What do you smell? Last night’s dinner, the oily basset at your feet (who’s probably clyde.jpgcracking off the most horrific clouds of flatulence you’ve ever suffered through—wipe your eyes, try to get past it).

Maybe it’s soap (the decadent scent of a man newly showered) or maybe you smell the old books on your desk, the bed linens behind you and all the interesting smells that reside there. (Remember, basset or sheets, reserve your judgement.)

 

Open your eyes, focus on the small details, try to descern the exact colors, watch the play of shadows and the shimmer of reflections.

 

When you walk through gardens, through stores, through life, hold out your hand and touch things (no butts please…or unwilling butts? Don’t go touching unwilling participants is what I’m saying…stick to the inanimate). Touch fabric, leaves, dead branches and icicles, let the dog passing by snuffle your hand and leave its viscous slobber behind. Touch your hair, the arch of your foot, the base of your nose, tug on your ear lobe…how different it all is! How does it feel to be touched in those strange little places? Get to know your own body and the sensitivity of your fingertips.

 

When you sit down to eat, really taste your food. Keep it on your tongue and think about what’s going on there. When you kiss someone, taste them, their lips, their breath, the

man and woman kissing together on body of water
Photo by Edward Castro on Pexels.com

flavor of them and their body chemistry…it is different for everyone and that’s something fascinating to explore.

 

Finally…and this is an important one…your gut. The so-called sixth sense. Intuition. IT’s there. IT’s often drown out by the madness of our modern world, the overstimulation and cultural rules and denial of the naysayers who believe humans are so far above ‘animals’ that we no longer need such ‘witchcraft’.

 

Tell those voices to stuff it. Listen to your gut. Listen to your intuition. If it doesn’t feel right, it probably isn’t. You’re still an animal and don’t forget it. Don’t get too lost in the  modern world. Remember, use the gifts biology and genetics gave you.

 

IF you are a writer, use these exercises to bring clarity and realism to your work.

If you’re a normal human with a ‘real’ day job (oooo self-burn!), use these exercises to be more present in your own life—to slow down time and remember what you are; A beautiful, messy human being with magical guts, wandering eyes, soft to the touch, with angry squirrels chattering on rooftops, smelly bassets underfoot, and a taste for the sensuality all around.