The Beautiful Writers Workshop #30: The Dirty Thirty

Okay. That title doesn’t have anything to do with short stories and how we write them (unless you’re on the right route to submit for Letters to Penthouse…does that still exist anymore?)

What do you mean you haven’t seen this movie!?I’m kind of surprised my mom let me watch it. I’m still mildly obsessed with angels…

I just wanted to mark the occasion of your thirtieth lesson in writing. And drum up interest for our last foray into the short story.

First–How did last week go? Were you able to come up with some ideas for future short stories? Did you write any? Did you revisit some of your favorites from the past? No? Come on…I can’t do it all for you!

If you have managed to draft up a couple of ideas and maybe even pursue them, and you’d like to have a second set of eyes, I’d love to take a look. As you may have seen, I updated my submissions guidelines on Tuesday for anyone looking to start building their platform as well as finding a place for their work (without the work of having to start and maintain a blog…gosh, I’m doing EVERY THING for you!)

So, last bit of short story advice is this. Once you have your strong (loved or hated character) and you’ve thrown them into a bus crash on their way up to hike Machu Pichu, what do you do with it?

Well, as in Poetry and Flash Fiction, if you you believe in this work and you want to see if it’s worth the reading for the general public; you submit it for consideration.

After a very thorough round of editing (or six), conformance (sure that’s a word?) to industry standard word counts, and all of your I’s dotted, you embark on the great internet search to find the perfect journals/mags/online forums to submit to. You find out the editor’s name, and use it to craft a beautiful query letter, follow each publication’s guidelines to the letter, and submit your work (while recording who and where and when you sent it to because you’re not a disorganized slob like me). Then you sit back and wait for the magic to happen.

Except you should never just sit back and wait as a writer.

Once that beautiful piece of literature, sure to torture high-school student’s someday with its dissection, is out in the hands of hard-eyed editors, you go back to that booklet of ideas and begin again.

The secret to a good writer, is that they don’t throw all of their hope into one basket and hurl it into the universe. They churn out the baskets, in a timely manner and with enough care that they aren’t just filled with shit. And they keep plugging away at it. And the first stories might actually be baskets of shit. But it gets better, they get better, you get better, until soon, you know what works and what doesn’t by the frequency of rejection notices.

I think I just summed up my writing existence in one paragraph. You’re welcome.

Normally, I would leave you with a list of publications that are accepting short stories. But…I think it might be time for me to kick you out of the proverbial nest on this one.

Go online–resist the urge to search cute kitten videos or Henry Cavill shirtless…holding kittens–and search for places now accepting submissions for short stories. If you can be specific in your search to the content of your story. Narrowing your search engine will save you time and weed out the journals that aren’t interesting in what you’ve written.

My general rule of thumb is collecting a list of 15 to 20 potential publications (yes, there are that many) and submitting my story(s) to 3 or 4 of them a week.

*Disclaimer–some publications will NOT ACCEPT simultaneous submissions so either submit different pieces or wait to submit until your current work is rejected (I’m not saying it will be…I’m just–*sigh*–saying that the odds are such).

Boom.

Mic Drop

That’s it. Go write something. Go submit something. Go watch “Barbarella” then write something. Come see me next week and yell at me for breaking your brain with Jane Fonda breaking ‘The Machine’. Next week’s topic is a surprise. (I say that because I don’t even know what I’m writing about next week)

Happy Writing!

The Beautiful Writers Workshop #29: The Short Story

Hello! Welcome back to The Beautiful Stuff and todays’ introduction to the well-known and prolific format we all suffered through in high school English.

Ladies and Gents: The Short Story

Don’t get me wrong, I say ‘suffered’ now because everything when you’re a teenager that entails any sort of responsibility not of your choosing is, to some degree, “suffering”. I mean, I could write for hours, holed up in my room, gladly passing the day. But ask me to read a short tome by O. Henry and I’d give you an eye roll and heavy sigh that would have rivaled the most put-upon martyr. Looking back, I actually really liked those stories. I remember dissecting them, studying the elements, and learning what made them so powerful.

Thank you, Joyce for “The Most Dangerous Game” and mining deep into the dark hearts of men. Hats off to the master of short story, E.A. Poe and his “Tell-Tale Heart” among at least a dozen others that gave me a healthy love of the spine-shiver. Shirley Jackson’s “The Lottery” was my first taste of apocalyptic fiction. I’m sure you’ve had similar experiences and I urge you to go back over those old favorites and see what you notice at a different age/stage of life.

The Short Story is actually lumped in with Flash Fiction and Micro fiction and is defined by a word count of 5,000 to 10,000. Some even dip down to the 1,000 range, occasionally they’ll touch 15,000. But in general, anything above that (30,000-60,000) is considered a novella. I’m giving it its own blog because the short story is a beautiful place to start if you are just beginning your path in writing. It’s not overwhelming but it will allow you to practice a lot of the bigger elements of story-telling. It requires a certain amount of frugality with words and demands a tight story arc which are good practices to hone before embarking on a novel-length piece.

What’s the difference from flash fiction? Well, in flash fiction you are looking at a snap shot of a moment; a defining moment, a quirky flash in the pan. In a short story you have more wiggle room for character development and the ability to tell a complete story.

Why’s that important you ask? Wow, you always come up with so many good questions!

Character development is important in short stories, because often it is the character that drives these stories. That doesn’t mean you get to expunge for 3,000 words on the finer details of Joe Doe’s eleventh grade algebra class. It means you have the opportunity to create a connection to the reader by showing who Joe is using his reactions to the situations presented.

How do you do this most effectively?

Photo by moein moradi on Pexels.com

Well, as in novels, you have to know your character. I once wrote a short story about a woman who’s husband left her on her 50th birthday for a younger woman. I got to know Jane Pearce so well, that I often think there’s a little bit of herself still residing in me. The part that snaps out of her doting-housewife haze and burns the mother-fu$^ing house to the ground, collects the insurance money, and retires to Italy under a new name. The point is, if you don’t know what drives your character then you risk wasting time and words on a vignette that should be tight.

What else do we need to know?

Death follows a Terrier on a Mission.
Photo by Matthias Zomer on Pexels.com

Well, you need an extraordinary event. A divorce out of the blue. A airship landing in the parking lot of the 7-11. A dog running down the street with a human leg in its mouth. A car crash, a panic attack, an island event where humans are hunted, a lottery to see who’ll be stoned to death. A body buried beneath the floorboards…something. Something that forces our beloved (or be-hated? is that a word? why isn’t it?) character into some tough decisions that make them CHANGE AND GROW. Yes. This can be done in the short span of 7,000 words.

You may, if you’re so plottingly inclined (in my head that sounded very judgmental, I apologize to all of my plotters out there), outline your short story to arrange it with the proper story beats, valleys and arcs necessary. Or, if you’re a slob like me, you can just start with the event and your character and see what madness ensues. Just be conscious this is a finite clip, not the 6-hour extended director’s cut.

I could, literally, go on for thousands of more words about the art of the short story, but I know you have some kitten videos to watch and probably a pants-less Zoom call to get on, so… I’m going to end this first blog (there will be others) with a good starting point for my beautiful writers out there.

The hardest part of the short story, for myself and other writer’s I’ve talked to, is finding a smashing good idea to write about. For this week, I’d like you to try one or both of these exercises and come up with, at minimum, 10 potential short story ideas. If you have the time, pick one or two and try your hand at a short story.

For the first exercise, I would like you to pick up a copy of your local newspaper (or scroll through it online) and seek out interesting or strange headlines that deserve a bigger story. The body pulled out of the river with no fingers. The discovery of pesticide residue in kindergarten playgrounds. Whatever catches your eye. Find a notebook, write down one or two lines on each and keep going. Don’t stop to write the story just yet. Let your beautiful brain simmer.

Secondly, I would like you to take a prolific historical/fictional or not character and ask “what if”. What if Henry Melville had been a modern day fisherman. What if Lizzy Borden had been a nursing home attendant? What if Buddy Holly had survived the plane crash? What if Donald Trump was really an alien? (ok, that one’s not so far of a reach)

Get freaky with it, twist history a little and see what interesting plot ensues. Thanks for playing today. Share your results and ideas, if you like and we’ll be back next week with more on the Short Story!

Happy Writing.