It’s Here, It’s Here! It’s Finally Here!

Hey ya’ll.

I know I’ve made a lot of empty promises and delays in this project, which is misleading because it is something so dear to my heart. But there have been life hiccups and unexpected formatting issues (one just last night that came to my attention and pushed back the release by a day!)

Needless to say, this project has been on the drawing board far longer than I anticipated.

But like all good things…sometimes you just have to love it (warts and all) and let it go. So, without further fanfare, I invite you to purchase and peruse “No Small Things: The Beautiful Stuff Poetry Anthology 2019-2020”, available later today at Amazon.

Here is the link:

No Small Things Poetry Anthology

Thank you so much for your patience and support for all of the great poets who contributed. Share this around and help spread the love for artistic endeavor. Sometimes this life can be so ugly and harsh, we have to nurture the beautiful no matter how small.

If you are interested in purchasing a signed copy directly from me, please feel free to contact me via The Beautiful Stuff contact page or at sereichert@comcast.net

Until then, Happy Reading.

 

The Beautiful Writers Workshop: Week #6 Character Development

 

Good Morning! Quick announcement for those of you following such things. The Beautiful Stuff Poetry Anthology of 2019-2020, “No Small Things” will be released this coming Monday the 17th of February! Appropriately just past Valentine’s Day. That means you can buy it for a belated gift, because everyone knows the actual day is just a commercial driven, chocolate and sex-fest. (if it were just a chocolate and sex-fest, without the commercialism, I’d be totally for it.)

But a stunning book of poetry is the gift that keeps on giving.

Stay tuned for pictures, samples, and book giveaways happening this month and thru March. Also, be on the lookout for a book signing to happen this Spring in Fort Collins. I will let you know the date and place as it solidifies.

AND NOW THIS:

First off, where in the hell are your haiku’s?

None? Psh…cowards.

Okay, here’s a few from some brave souls out there.

Miss. Elliana Byrne from Boulder, Colorado sent me this lovely and thought worthy collaboration of five.

He said, I can’t help

With all your mental raving

You’ll have to sort it

 

He said, I was sweet

A juicy peach to bite, hard

But I talk too much

 

He said, breathe deeply

When I’m not so insecure,

He might give a fuck.

 

He said, I wouldn’t

Not with you, and your baggage

Stacked higher than sin.

 

They all want to taste

But none want to swallow me.

Jagged edge sweetness

 

 

Here are a few of my own in “honor” of the upcoming holiday.

 

1.

Silence stole my heart

You are gone, and I am lost

You were my constant.

 

2.

February lies

In drifts of heart-shaped candy

All love is false hope.

 

3.

Mechanical heart

Pumping without feeling love

Empty valves digress.

 

4.

She carried it well

Cancer of melancholy

consumed heart tissue.

 

There’s no time limit on these exercises and no order so if you want to send me anything from The Beautiful Writer Workshop, feel free.

 

NOW, ON TO THIS WEEK’S BEAUTIFUL STUFF:

This week’s exercise is short and sweet (not 17 syllables short, you’ll need some time on this one.)

Take ten to thirty minutes (together or in pieces) and pick either one of your favorite characters from a work in progress OR a favorite character from an already published book.

Write their backstory.

Where were they born? What was the name of the hospital? What time of day was it? What were they like in kindergarten? Did they run track or dole out drugs in high school? What’s their most defining internal characteristic? What strange thing do they do when they think they’re alone? What’s the worst thing about them, external or internal? What’s the best?

If you’ve already done this, then kudos to you. The writer that knows their character will have a much easier time telling their story. If you haven’t done it, get on it!

If you don’t have a character of your own, pick one of your favorite characters from literature (or dime-store novels, it doesn’t matter) and rewrite them as the anti-hero/opposite and be sure to have the backstory of why they turned out that way.

What defining moment in their life changed it all?

Okay. Go. You don’t have to send anything in on this one, but keep in it your file for your WIP. If you like it and find it helpful, do a similar exercise with the other characters in your book/novel/short story. Even the “sidekicks”. Everybody’s got a story.

Until next week, Happy Writing.

 

The Beautiful Writers Workshop #5: Haiku, can you?

Good Thursday morning, writers! I hope your week has been productive and your mental coffers are overflowing with ideas.

Today I’m going to be featuring some awesome first lines from the “Ten First Lines” exercise, as well as a few of my own. But first, down to business.

I realize we aren’t all poets here. I know that some of you have more the mind for long and involved stories. But, sometimes when time is limited a quick little scribble of something is better than nothing at all. Often, I find that these little scraps of creativity can lead me to a good short story or even get me over a plot problem in something I’m working on.

So today, your exercise is to experiment with the dreaded 9th grade (probably earlier nowadays) assignment of writing 2 to 3 haikus, alternately and if you are of the mind, you may write limericks (but no pilfering the dirty ones that still remain stuck in your head long after algebra has disappeared).

If you need a refresher, the haiku is a form of poetry, originated in Japan, following a syllabic structure in three lines. 5, 7, 5.

example:

“A World of Dew” by Kobayashi Issa

A world of dew,

And within every dewdrop

A world of struggle.

(Hey, wait, that first line only has 4, Sarah!)

Yep, that’s the thing, sometimes poets will play with the rule as long as they stay in the general confines of brevity for big ideas. such as this:

“In a Station of the Metro” by Ezra Pound

The apparition of these faces in the crowd;

Petals on a wet, black bough.

If we make a break after ‘apparition’ it works in format, but Ezra’s point was to keep that flow of the first 12 syllables of ideas all together.

So, see?
It’s not so rigid as your English school marm might have made it out to be. We’re adults, we can play.

Give me some good ones and I’ll share mine next time.

Speaking of sharing…here are some fantastic lines, the first two from our good friend and down right amazing human being, sid sibo:

  • It’s frickin’ hard to turn the page on a petroglyph story panel.
  • Stars brushed their gleaming fangs and the air itself glittered with frigid crystals.
  • WorkEatSleep was no life at all, not for a black rhinoceros, her skin slicked with ancient dust from a glorious continent.

No matter how you spin it, that lady is brilliant.

Here’s a few bites of the odd from my own homework:

  • My inflatable kiddie pool was infested by porcupines, high off my neighbors discarded edible gummies.

  • The toy monkey clapped at my ability to darn my own socks, still on.

  • Two, bonded-for-life redtails mocked her and her single membership gym card.

Okay. That’s all for today.

Go haiku.

Hell…if you’re a romantic, work on something for your significant other early before that made up holiday hits us next week.

OH AND…

LOOK FOR AN ANNOUNCEMENT HERE FOR THE RELEASE DATE OF “NO SMALL THINGS, A BEAUTIFUL STUFF POETRY ANTHOLOGY 2020” NEXT WEEK!!!!

(I’m so exited I could join those porcupines.)

 

The Beautiful Writers Workshop: Week #4 Hear Me Out

 

Last week we explored some fun little writing prompts (by the way, I’m all aquiver in anticipation for those to start rolling in so…don’t keep a lady waiting, it isn’t polite). I hope that you found out something fun, disturbing, and original to spark some new projects. You clever writer, I bet they are fabulous (send them in)!

This week, in order to give your creative noodle a break, I thought I’d switch more to the editorial aspect of writing. Specifically, the sound of our writing and what it means for our readers.

Whether it’s poetry meant to be read aloud, stumbling through your first chapter at a promotional event, or having your book read by a parent to their child, the flow and sound of your “writing voice” matters and reading it out loud changes a lot about what you can only see on the page.

So, let’s talk about the benefits of using oral…

laugh

Okay. Sorry, that was the fifteen-year-old boy part of my brain thinking he’s clever.

Ahem.

Apologies.

This exercise doesn’t take much effort and is an easy way to edit a work in progress that may be in its final stages of completion. Or, if you’re a poet, this is by far the best way to gauge the power and purpose of your work.

Print out a chapter of your novel, a poem, or a short story (I suppose you can use your device or laptop—the girl who loves the feeling of paper between her fingers sighs to the encroaching dominance of technology).

Then read that piece out loud either to yourself or to your unwilling cat.

adorable angry animal animal portrait
*note: It isn’t that your cat doesn’t like your work, I’m just saying cats don’t, in general, like anything that doesn’t meet their own needs, and writing that does anything but pay homage to their divinity, tends to fall short in their demographic. (Photo by Pixabay on Pexels.com)

 

If you don’t have an audience, I encourage you to use a mirror.

Read vibrantly, read purposefully, read with intonation and depth. Meet your eyes in that mirror and feel the story, the dialogue; that stanza of hard cutting thought.

You will start to hear your particular voice emerge and you will also find editorial errors that are invisible during the brash sweep of only eyes without the mouth getting involved.

So, get your mouth involved (*snicker* *snort*)

Oh man… come on!

I think I’ll stop there for the week.

Go read your stuff out loud. Make marks on the paper (or device) where you notice inconsistencies, mistakes, or ‘not right’ words.

Change them, make it better.

I’ll catch you next Tuesday for exciting news about the Poetry Anthology.

The Beautiful Writers Workshop Week #3: Ten Ridiculous First Lines

As promised, here is this week’s workshop in form of a creativity drill. No stuffy mission statements or essays on the purpose of your writing and future endeavors in the field. Just good ol’ fashioned prompting. Enjoy!

Writing can often become stagnant. Let’s face it, we are caught in the grooves of our lives and sometimes a fresh idea is hard to come by. Even if we do stumble upon it, someone else has inevitably done it before and we’re left with the blank-page-stare, wondering if we’ll ever have that audacious lightning bolt that will shock the world awake with its brilliance.

I’ve been reading a little bit of Russell Edson’s short work and he has the most fascinating way of taking something mundane and jolting the reader with the unexpected. Edson would sit down at his typewriter and belt out ten first lines, no editing, just whatever strange little tail of a thought was hanging in the forefront of his brain:

“A man wants an airplane to like him”

Or

“A husband and wife discover that their children are fakes”

Or

“The household toilet wants to be loved and leaves when it isn’t”

 

What came of these lines is ridiculous and beautiful and like nothing I’ve ever read.

 

And that’s your FUN assignment for the week:

Write ten ridiculous lines

Pair things that don’t go, give life to the inanimate, sauté a hat, use the perspective of a floor or the voice of a garden snail. Make a shoelace dance round a fire at Burning Man. I don’t care; just be extraordinary.

Bonus: Take your favorite one or two lines and whip out a flash fiction piece (500 words tops).

Go play. Send me your favorites, don’t let them sit, face down on your desk, not bringing joy.

The Beautiful Writers Workshop: Week 2- Mission Possible: Drafting A Writing Statement

Read that title, again would you?

 

I know, right?! SNOOZEFEST!!!

I promise, this isn’t going to be as painful as it sounds and it might be one of the most useful tools you have when it comes to guiding your writing. A writing mission statement turns vague hopes for an outcome into solid ideas and language.

So what is it that you want your writing to do?

Last week I asked you to compose some answers to questions about your writing in hopes that you can expand on those answers in the coming weeks and use them in addition to our exercises to flesh out your writing career.

From those answers, you should have written down aspirations for what you wanted to accomplish in a year, month, week, etc, and the small manageable goals that can get you there.

This is a little different.

Thinking about the work in progress you’re embroiled in (be it a novel, an article, an essay, or directions on how to make a giant rooster shaped cake)

rooster cake2
Join me next time when I explain how writers are masters of procrastination. Like, looking up images for rooster cake.

I want you to write down what you hope to accomplish with this particular work. We’re talking end game stuff here. What do you want the people reading your work to walk away with afterwards?

Example 1:

Say you’re working on an article about the wage disparity in large corporations.

Take ten to fifteen minutes and write what outcome you want to see as a result of your article. How do you want people to see your subject of the story? How can you make them identify with the people involved? Is it to educate? To change policy? Do you want to give them the tools to make changes, or just to think about it in a new light and in a way that encourages discussion?

Once you know the end goal, it will affect how you write the story.

 

For novelists a mission statement is integral to developing a relationship with your reader via your characters.

Example 2:

I want my readers to identify with a cranky, semi-violent spirit, haunting an old seaside house and fall in love with him. I want my readers to feel the sting of being trapped, and the power of love to soften hurt.

 

Writing about what you want to write will actually help you know what you need to learn in order to accomplish this mission statement.

 

So here’s your job this week:

  • Write a short mission statement for your work in progress or your next work.
  • Share it with someone (accountability bitches)
  • Where is the next, imagined destination of this work?
  • If you have time—study some of your old work, and see if you can write a mission statement for them—what did you learn from each?
  • If you have time—think of your favorite articles, books, masterpieces and see if you can decipher what the mission statement was for them.

Oye, so much work. Don’t make me crack a whip.

Again, feel free to share. I love hearing about your purpose in writing and remember that sharing that will help to manifest your goals!

Next week we’re dipping into some heavy creative work to balance out all of this business side.

 

Take care!

The Beautiful Writers Workshop: Welcome!

Good morning writers, authors, editors or accidental guests.

This is the inaugural blog for The Beautiful Writers Workshop, a year-long journey into developing your craft through exercises in creativity, editing techniques, inspirational prompts, and building the framework for your writing career.

Some of the blogs will inspire. Some blogs will lean more to the technical side of writing. But whatever the weekly topic, you can be assured of two things:

  • You’ll have a prompt or exercise to help develop your writing (and the opportunity to share it)
  • I’ll try to keep it spicy enough to be enjoyable.

 

So let’s get rolling! I searched through nearly all of my favorite books on writing for a perfect topic for our first lesson together but the truth is, there are just too many (good and bad) ideas out there.

So I’m going to start simple and ease you in gently to this process.

If you’re here you are either interested in writing, or are already doing it and are looking for something to add to your tool box. In order to appeal to all levels today’s workshop is centered on the basic purpose of your writing.

Below are a few questions that I’d like you to read, think about, and journal down your answers to. You can share them, you can keep them secret, but DO WRITE THEM DOWN.

Something amazing happens when we write down goals and steps to reaching them. The process becomes manageable; the goals become real. It’s one of the many beautiful and powerful attributes of writing.

  1. Without judgement or discouragement, and being as direct as possible: what is the ultimate, lifetime goal you have for your writing?
  2. What can you do to kick start this goal in the next 12 months? (hint: where do you need to start, where do you need to grow most for the big picture)
  3. Is this yearly goal attainable? WHY OR WHY NOT?
  4. Of your reasons from #3, think about the fears, limitations or concerns that formed these reasons. Name them. What do you foresee keeping you from moving forward on this yearly goal?
  5. Of the fears, limitations and concerns, what are the possible solutions or actions you can take to eliminate them? (hint: each limitation/fear/concern gets its at least one action you can take to overcome it)
  6. If you have a planner or calendar, write down one weekly goal (eliminating distractions, word count requirement, number of submissions out, editing, classes etc) that will help overcome the hurdles you have to your writing.
  7. Looking at these weekly goals, find specific and measured times you have to dedicate to their success and write them down.

Okay, that’s it! I know, it’s a little dry but when building a house you have to have a solid foundation first or none of the pretty architecture above it will survive. So build your foundation, know where you’re coming from and next week we’re going to talk about:

Mission Possible: Drafting your Writing Mission Statement

(that sounds super boring but it will help writer’s across the spectrum. I promise!)

 

New Beautiful Stuff

 

Welcome back to The Beautiful Stuff!

It’s been a few weeks so I wanted to offer my sincerest thanks my readers out there for having patience while I took a little break from the blog. It was a perfect time to reset the old creative battery, try out a few new avenues, and make the new (and hopefully attainable) goals for the beginning of the next decade.

 

Last decade-turn I was stupid-big with my second baby and can’t recall much except I got winded a lot and had a really big problem with Whole Foods two-bite cannolis.

cannoli.jpg
I think I had at least a hundred two-bites in that last trimester…that’s two hundred bites

The baby turned out to be an amazing individual who is turning her first decade this year. Needless to say, back then I wasn’t thinking of the significance of a new ten years. I was thinking about potty training the oldest and trying not to tumble over while tying my shoes with a mouthful of cannolis.

But now here I am, in a less-rounded ten years and more in control of my mental faculties (still not so much control in the sweets department, but I’d be boring without SOME imperfections) and ya’ll are getting new and improved writing tools, inspiration, and help in the coming year.

First and foremost, (drum roll please) at the end of this month I’m launching The Beautiful Stuff’s first ever poetry anthology, entitled “No Small Things”.

I’ve been working hard over the holidays to get it organized, edited, and prepped. I must say, this is a beautiful little book with some amazingly talented writers contributing. I will give you updates on its release, book signing information, local stores who will be carrying it, how to get a copy if you aren’t local. If you are a writer or even just an avid reader interested in providing feedback and reviews for the book, please contact me and I’ll hook you up with a free copy.

Secondly, on Thursdays instead of the VerseDay you’ve grown accustomed to, I will be offering mini workshops; aptly named The Beautiful Writers Workshop, to get your creative juices flowing. If you’ve been inspired enough to write something you’d like to share, I will be offering a Monthly Writer Showcase, where you can promote your work, give a short bio, and/or provide a guest blog with any useful information you might have or want to share.

The Tuesday blog will move to only bi-monthly and will be more focused on The Beautiful Stuff of human existence outside of writing.

So there you go.

Recap for those of you who are cleansing and are a little foggy:

  • “No Small Things: The Beautiful Stuff 2020 Poetry Anthology” is out at the end of this month
  • Thursdays will feature The Beautiful Writers Workshop– free craft exercises to help break up the monotony and spark some inspiration.
  • Monthly Writer Showcase: Contact me if you’re interested in contributing!
  • Normal blog will be every other week on Tuesday and will center around The Beautiful Stuff of life.

If you’re in the middle of a learning new, healthier habits, I wish you good luck. If you’ve decided you’re just fine as is and aren’t changing a thing, I say good on you and keep on keeping on.

See you Thursday.

(By the way, The Beautiful Writers Workshop totally constitutes a valid excuse for buying new pens and pencils—you’re welcome.)

NANOWRIMO Week Four: The Final Countdown

Good morning!

For those of you who’ve been following me through the month of November, this marks the final installment of surviving NANOWRIMO (National Novel Writing Month). I’ve been flowing with a life-stages theme, and had intended to title this week “Retirement” but the thing with NANO is that only for some will the last week be about resting and reaping the rewards of a month packed with hours of dedication to your project. The others of us may find this final week to be the last desperate attempt to finish.

So this brief post is for those who are struggling through the last four to five days to make up those words, or at least push to do what they can.

I hope, more than anything, and even above the lofty goal of 50,000 words, that you are still trying. That you haven’t given up. That you have built a habit of writing so that you don’t feel complete in your day unless you’ve spent at least some time on your work.

Because, I really think that’s the whole point. This month is more about teaching us to prioritize our lives to include our work first (or at least at the top of the to-do list) and know that we CAN accomplish great things when we give it the time and love it needs, than it is about reaching the specific goal.

So often in our lives we self-limit. So often we are told it can’t be done, we can’t, the work is too great, the effort pointless. So often we are told that struggle and toil is worth little for the likely outcome. But those voices and those opinions fail to factor in that it is not just the outcome that is rewarding. That it is not all we are working for.

When we challenge ourselves, the bigger reward lies in the struggle. New ventures, hard  and thankless work, and lofty goals teach us how to plan, how to plot, how to push ahead when we simply don’t feel like it or when others around us question or scoff at the ideas before us. Challenges shine a light on how amazing and resilient we are, so that, no matter the outcome, we learn what we can do. And once we know what we are capable of, the bonds of doubt weaken and we begin to believe that if we can write a novel in a month, we can edit it, publish it, write another, and another, and another. And if we can write a book we can take a class, or teach a class. We can climb a mountain, we can travel across the world. We can do anything we set our minds to.

We can.

You can.

You’ve only got a few days left in this month and I BELIEVE THAT YOU CAN do anything you’ve set out to do. You are amazing. You are imperfectly perfect and there’s no one in the world who can finish this month the way you will.

Deep breath writer. Don’t let the home stretch scare you. Let the struggle instead be your gift and what which you are thankful to work through. You can. You will.

NANOWRIMO Week Three: The Midlife Crisis

Hey there writer.

I know I don’t have to thank you for being here with me because if you are akin to me, you’re looking for any excuse to change up the monotony of this novel-writing month and escape that mad-dash. Perhaps you’re feeling like this story you’ve been pouring your heart and soul into for what seems like years is starting to stale. Things are getting drab. The plot line is petering out. The characters have run out of things to say.

This is the dreaded, dead-ended doldrum (say that one a few times over fast) of week 3. And it can often feel like middle age in its sunken sails, stagnant air, and the questioning of the choices that brought you here.

With only 11 days left in this crazy adventure, you may feel like you just don’t want to go on. That perhaps it would be easier to abandon your project all together and take a hot little novella out for a spin. Maybe start seeing some poetry on the side. Perhaps dabble in a little erotica?

While I encourage some dabbling (especially in erotica) I would argue that all of those exploratory practices can be done right in your own work in progress. So you’re bored, so you don’t know what the characters will say to one another…I urge you to start a new chapter, in the same document, where your characters take a jump off of the tracks and do something completely unexpected. Put them in a different time, put them in a different dynamic…hell, switch their genders and see what happens. Write a poem that serves as a synopsis to the story, first from one character’s perspective, and then from another’s.  All of this play might help unlock the paths your novel needs to get going again. Think of it as putting some wind in those sails. A little spice in between the pages.

And all of those words you put down, even if they may be edited out later, still count as words towards your 50,000. Let’s be honest, at this point in the process, any word count is better than none.

It’s normal to feel a bit discouraged and bogged down in week 3, but what you’re building is worth hanging on to. It’s worth the investment of time and thought in this, the darkest, dreaded, dead-ended doldrums.

Hang in there kid. Go get freaky with your WIP and spice things up to see you through to the end.

Next week, look for the final, and highly inspirational installment of my NANOWRIMO survival guide.