I hear there have been some questions at school and amongst your friends, about if Santa Claus is real.
There comes a time, in most kids lives, when they are taught to grow up and out of what some adults call “silly, fanciful, daydreams.” And so adults and peers will go about destroying everything that even whiffs of magic, and work hard to wipe away every ounce of stardust from the eyes of children who believe.
To this I say…shut it your mean-hearted pieholes, you wankers. (And anyone who hasn’t, at some point in their existence, called a middle schooler a wanker is probably lying. Let’s face it, middle school was/is not our finest hour as humans.)
And I’m willing to bet that these are the same little judgmentalists that gave you sideways glances for not going to church.
These are the people who say it’s obviously impossible for a generous old guy to deliver presents to kids one night of the year, while simultaneously cherishing and accepting the “fact” that a deity impregnated a virgin and their child wiped away the entirety of sin in the world…
If they can suspend reality, nay, even base their lives around this idea of, albeit a cool, hippy/demigod, is it such a stretch to believe in a jolly old elf that spreads the ideals of generosity and selfless giving for just one day?
(To be clear–I’m an equal opportunity believer so I won’t touch your demigod hippy if you don’t touch my fat guy in a red suit.)
I refuse to lose my stardust. As Anne Shirley would say; I refuse to be poisoned by their bitterness.
You want to know if there is magic? If Santa is real?
Here’s what I know…
Santa is real and magic exists.
How can I be sure?
I’m here aren’t I? You’re here, yes? We’re all here.
We were sprung from the unlikely combination of a chemical lottery and dumb, cosmic luck. We went on to survive hundreds of thousands of years of evolutionary death traps.
If that’s not magical, what is?
Here’s what I also know.
There are two types of people in the world.
Those that destroy joy, and those that spread it.
I say, it does no harm to believe in something better, more beautiful, and magical in our lives (Hippy Demigod or Santa Claus).
I say, it does no harm to fill our eyes with wonder and joy in the midst of the darkest day of the year.
I say, it does no harm to hope and anticipate.
I say, it does no harm to walk into these short cold days with elation in our hearts.
I say, what a horrible, dark and sad world it must be for those that seek to take away such light; those who disbelieve and ridicule others who hold magic in their heart.
It does harm to take someone’s joy.
It does harm to smother the fire of giving and generosity.
It does harm when we seek to oppress the light of selflessness in a world so dark.
I know this; each one of us chooses what we believe.
We choose what we fill our hearts with. And in a world that can be so gloomy and wretched, why would you want to fill your heart with anything that would make it even more so?
I choose to believe.
I believe in Santa Claus and I believe in magic.
I believe that there is light in the darkest of times. And I believe that the joy radiating from the hearts that hope, and love, and give, is more real than any hot air getting blown around by a bunch of self-conscious, hormonal, dying-to-fit-in middle schoolers.
I can’t decide for you, but neither can they.
Embrace the joy, be the magic, and light the dark… or reject the lot of it and wipe the stardust from your eyes.
Distance. One word with a myriad of attached ideas. The space between two points, the play between perspectives, and how it can shift the way we see the world.
As a mom, wife, friend, co-worker, volunteer, writer, runner, kenpoist and all the other shit I personify in life, I get really bogged down in how the world sees me.
We all have responsibilities and I know that I talk about this a lot. But I think that part of the beauty of being human is trying to find a balance between what we have to do and what we want to do in terms of how we create artistically.
It’s generally agreed upon that the have-to’s rarely help out the want to’s. That is, when we are so embroiled in buying groceries and appeasing children, and working the hours, and mopping the floors, we have very little left of brain and body to contribute to our art.
Maybe some people don’t have this problem and the fire in their core burns bright enough to fuel all of their endeavors whether they are necessary or casual.
But I ain’t one of those people.
In our world today we’re seeing a startling trend of human beings snapping.
I think it’s the fast pace. I think it’s the constant technological interconnection and human disconnection. I think it’s the noise that barrages us, nonstop. I think it’s the expectations, and the anger, the powerlessness that often comes when we realize how fragile we are and how big the world’s problems can seem when they’re looming over our heads.
All. The. Time.
No wonder we medicate. No wonder we drink. No wonder we take out our aggression on innocent bystanders and make scapegoats out of whatever group we think could be the root of suffering.
It isn’t right, it isn’t just. But our poor little lizard brains can’t contemplate or find order under such constant distress. Most of us, aren’t self-aware enough to stop and gain perspective on it all.
And that brings me back to distance.
Distance and perspective are fraternal twins. Borne of the same womb but different in their nature. We need one to have the other. Both are vitally important to our survival as a species.
Distance as an artist can be hard to gain. It means dropping the roles we are pegged into, permanently or at least temporarily, in order to have hour proverbial hands free to create, to problem solve, and to ease the process of gaining proper perspective that will, eventually lead to healthier choices, lifestyles and hopefully communities at large.
So stop. For a day. For a week. Hell, for an hour. Disconnect.
Leave behind the have to’s and make it okay for yourself to let go.
Let your overactive, overachieving brain know that this is the time to not.
To not think too much, to not make lists or plans or organize the day. Let your brain know that there’s no shame in stillness. In staring out the window at the snow, or sleeping in. Or writing just to write, and not feeling obligated to anything else. To paint without interruption unless you feel like getting out for a walk.
How many of us have ever let our bodies and brains do just what they wanted, just when they wanted?
Not many. We always have too much shit to do.
So drop the shit. Let it go.
Be okay with just being.
You’d be surprised the calm that will find you. And a calm mind is a happy mind.
A creative mind
A forgiving mind.
An open and accepting mind.
It can become all of the things our world needs.
So go find some distance. Get out of town, get out of your cubicle, get out of your head.
I’d created some pretty flashy, quiet-inspired, philosophical posts last weekend on retreat. They’re beautiful but I’m leaving them in the bank because today I want to repost something that I’d blogged about years ago that is timely and still rings true.
Have a safe and happy holiday. Be with the ones you love. And if you can’t; love the ones you’re with.
Making Do and Giving Thanks
One of my earliest memories was of waiting in a dark and crowded hall while my mother picked out ‘groceries’ from piles of white and black generic boxes. I didn’t understand at the time that the blocks of Velveeta-like cheese, powdered milk, and bags of rice were part of assistance programs that kept us from going hungry when the insecurity of the uranium mine had left us teetering on the edge of destitution.
My father is, and always has been, a hard worker. He took whatever job he could to support us, but in the unstable energy economy of 1980’s Wyoming there was always a fear behind my parent’s eyes. My mom was a teacher on and off and she stayed home with her three wild and creative kids. Anyone who’s a mother knows that each child is a full time job just in themselves, with no hazard pay given and no time off. She was a genius at making ends meet, and squeezing out the most of everything we had, including our time together.
Their amazing resilience still brings tears to my eyes, especially as a parent myself. Because, back then, I never knew we lacked for anything.
We were always fed. We were always clothed. We had a roof over our heads and wild game in the freezer. We made do. When lay offs hit, they squeezed the most out of what we had and made do. When dad went back to college for a second degree in teaching, we lived in a small house in Laramie and made do. When Christmas came around and three kids rushed to the living room, there was always something there to be thankful for.
I didn’t have cable as a kid; I had books. I didn’t have a TV in my room; I had the library less than two blocks away. It didn’t matter that we couldn’t afford vacations to far off places because I could go there in my mind. Pages were like my wings, rocketing me towards new and fantastic horizons. My parents couldn’t give me designer clothes or name brand shoes. They gave me Jean M. Auel, Jack London, L.M. Montgomery, Louis L’Amour, Piers Anthony, and Jane Austen. They gave me hours and days of uninterrupted reading time. I still remember mom peeking in on me, sprawled out in bed, pouring over a book, completely lost to the world around me, asking if I needed anything.
Looking back now, and knowing what I do about how much it costs to raise a child (nonetheless three), I really couldn’t have asked for more.
We made more than just meals from small staples. We made worlds out of our love and support of one another. My parents gave us the belief in where our minds could take us. And we made do.
The best part of Thanksgiving, is the giving. If you find that you have an abundance, I urge you to consider donating to some of the fine folks listed below.
Remember; Money is like manure, it doesn’t do a lick of good until you spread it around and encourage things to grow.
Good morning fellow readers, writers, and friends. This morning marks nearly the half-way mark of NANOWRIMO.
In the month of November a gauntlet is thrown, where in writers of all types, genres, and experience levels attempt to write 50,000 words in 30 days. While this ain’t my first rodeo (fourth year participant) I’m quickly finding that every year is different.
Most notably this year’s project has been a study in what happens when I let my “pantser” out.
Before you call the authorities and request a restraining order, what I mean is that usually I have a rough idea of what my novel will be about, some basic plot points, a shady little arc where in I can fit most scenes with relative smoothness. I’m not an all-out “plotter” I don’t have graphs, or charts, or beat sheets. Usually later in my process I come up with something that formal if it helps me fill in the gaps.
But this year–
This year I just started writing about a girl who’d suffered a horrifying assault, ran away, and returns to her childhood home with no intention of staying past the point of handling her grandfather’s affairs.
That’s all I had.
Oh…and a murder has been committed.
And there’s this seasoned old detective who’s lovable but grouchy as shit.
Oooo, and lets make him a divorcee, trying to quit smoking while raising a curious 12-year old boy.
And let’s say he doesn’t deal well with horses. Or heights. And he’s got a paunch, because he’s over forty and can’t get rid of it no matter how many weeknights he plays rugby.
And she gets panic attacks. Bad ones.
And what happens when the lady in question has a panic attack while driving just ahead of the cop and his son on their way to rugby practice?
And her sisters hate each other, and are polar opposites hippie versus yuppie.
And I need to learn Greek. And I gotta start looking into regional varieties of grapes and how rare the Andravidas horse is…and what’s the shape and size of a typical head wound from a roncola…
See what I mean? I’m all over the place. And this book, ladies and gents, it might be the messiest first draft I’ve EVER written. I jump from scene to scene, character to character, out of time, out of place, sometimes contradicting myself within the same paragraph. I’ve never had such a mess of a project.
I’ve never worked on a book that I wasn’t sure I would absolutely finish and make into something better.
But this fella, he’s a different breed.
He’s a quirky little story and I’m sort of hopeful that all of the pants-ing going on here is going to produce some really raw and gritty emotion, boiled down description, some complex characters in tender situations that will amount, later and with a lot of elbow grease, to a decent and intriguing novel.
The point, (yep, there’s one–it’s coming. Wait for it–) is that by jamming out words, even in their flagrant misuse of proper grammar or form, even with complete disrespect for story arc, has allowed me to explore a genre I’ve never written in before without the halting self-doubt that might have stopped me before. I’ve discovered characters who are more than a little fucked up (*gasp* where’s the romance in that?) and may or may not find out the truth let alone a happily ever-after. And that might be okay this time around.
If you’re in the middle of it, and have a day that knocks you back, jump ahead, jump behind…write the characters ten years in the future or what their sixth-grade year was like. The words don’t have to be in order, they just have to be there.
Good skill writers. 16 more days, and you are all over this like a bunch of bacchantes on Dionysus.
We’re back this week after a short break with a new entry from Stephanie Chou. Stephanie is a mom, writer, photographer, and poet in the Northern Colorado area. She is currently working on some new projects. Enjoy a quintessential Autumn verse.
The gorgeous photo featured above is also Stephanie’s work. How lucky are we?
Hey ya’ll, listen up, I don’t have much time. I’m on a deadline, with not many words to spare.
So far, in this week, I’ve managed to keep up a hearty 2,000 a day word count on a new novel idea that sprung from my last trip to California and it’s vibrant rolling hills of vines and orchards. It’s been a trip of a different kind these last seven days. I’m dipping my toes into a new genre and, of course, committing any and all time in my day to getting the words on the page.
I haven’t had much time to spare a thought for much else, but I did want to share what I’ve discovered on this year’s NANOWRIMO journey, in the event that it could help you on your own craft.
Not all of us are reaching for 50,000 words in 30 days but I think we’re all striving to finish something and, in doing so, come across many of the same road blocks.
Here’s some bulleted info to keep you engaged.
Word counts help. They give you a goal. Goals are measurable, ensuring that you have a start, an end, and a way to track your success. Pick a word count and stick to it. Even after November is over, I plan to recommit to my pre-NANOWRIMO word count ambitions in order to keep myself in the thick of it. The inspiration of word count goals should do a lot to…
Unclog your creativity ducts (Okay, I’m not sure we actually have those but…) there’s definitely a correlation between writing without the time to edit and the uprising of new and unfettered ideas. You may start with a stupid sentence but one word of it, or phrase, or character trait will pop the top of the bottle and unleash a whole outpouring of possibilities.
FINAL THOUGHT—The Curse of The-Want-To-Be-Writer, the thing that stifles us most and keeps us from getting those word goals is the self-editor sitting on our shoulder EVERY TIME we sit down to write. He’s the jerk that points out the misspellings, the grammatical errors, and the plot holes. He whispers, “Oh no, go back and delete that, it’s not good. And take out that part, and fix that ‘they’re’ to ‘their’, and you forgot to use an ellipses, and is that name spelled right? Let’s make sure the spell check learns it. Now…that’s a pretty sentence…nope! Just kidding, it’s awful delete it! Ah…now, a nice fresh blank page to start…over…on.” Do you see what I’m getting at? Don’t do that shit.
Leave all the grammatical errors, spelling mishaps, and mistaken names or plot holes where they lie.
Imagine someone excavating the tip of a gemstone. But instead of digging all the way down, seeing how big it is, what its natural shape is, picturing what can be crafted from it, they just dust off the tip, and begin carving it meticulously, polishing it to a shine. Then they uncover a little more, but that doesn’t look like the first bit so they hone it down even more. They uncover another bit and another but there’s no flow because each part of the gemstone is cut differently, polished oddly.
First drafts are made to give you raw material. So make it raw as hell.
So far I’m at about 16,000 words and I’ve typed things that I’ve regretted the second they’ve left my fingers. Mistakes. Glaring ones. Things that don’t fit, behaviors that don’t gel with my characters, point of view shifts.
Honey, I’ve seen it all in the first twenty pages.
But I also see a story. An interesting arc with characters that are starting to smile coyly in my direction with secrets I will only learn if I stop telling them to shush.
If you’re writing a novel this month—Keep at it and kick your nasty self-editor to the curb. You can go pick him up later (or send an uber for him if he won’t get in your car again)
If you’re just thinking about writing a novel sometime: stop thinking and do it…we ain’t getting any younger sweetheart.
Now, I’ve got to get back to my work in progress, because these 753 words don’t count on my dashboard and I’ve got words to go before I sleep.
Send me your word counts, send me your questions, send me your inspirations. Let’s keep this sprint going.