Good Thursday to you, Writers. I hope you have a brand-spankin’ new plot started in your head from Tuesday. Moving from that amazing raw material I’m going to tickle your inner plotting nerd and give you a ‘graph’ of sorts to help you with organize a killer storyline.
Last time we discussed ways to help create a basic plot for your novel idea, today we’re going to outline the beats, or arcs, of that story. If you remember from my handy-dandy, bulleted list on Novels, I list Arcs as being an important element. While this blog does cover some of the theory, I will do a more in depth look at crafting an arc that creates the perfect amount of tension.
Back to plot. Some of the best stories follow a pattern, or what I like to think of as a rollercoaster of ever-rising stakes.
Most plots can be split into three acts. The Set Up (beginning), The Conflict (middle), and The Resolution (ending). Each of these acts should have some defined crisis or event which is like a doorway your character passes through and must either change, fight, or overcome more trials until they find resolution. I found this nifty diagram from David Harris Kline’s “Structure Lesson #2: The Three Act Structure” ( http://www.writers-for-writers.com/2017/11/08/structure-lesson-2-three-act-structure/)
As you can see the beginning has to hook the reader into a specific event, starting point, or character problem. Here’s where you introduce your character and show us who they are, what they want, what they are facing. Throw in some foreshadowing and Bam! You just met a small-town farmer from Tatooine.
Act II comes with something that disrupts their normal day to day. (Holy shit, this droid has an important message from the Rebellion!) The character is forced to make a choice (wipe the droid’s memory or try to get the message to old Ben).
The middle, as most of us know, can be a bitch to write. This is where the dreaded doldrums hit. The quagmire. The swamp of eternal despair. I’m not going to get too deep into that swamp today except to say that this is where plotting can really help build a bridge across the muck and help your character get to that final, defining climax. This bridge is paved with different obstacles and trials that keep the action and the tension going through out. (Scruffy looking nerfherders and tough-ass princesses, oh my!)
Then, finally, as our hero/ine comes through that final climax (for better or worse) we witness their transformation or acceptance of who they are or what they need to do . The final act is where you tie up your loose ends and give the audience the resolution they’re seeking. Like giving a Wookie a medal.
Well, that’s pretty much all I wanted to cover on plot for this time around. Next week we’ll be talking about one of my absolute favorite aspects of writing: Characters.
Until next week, diagram your plot, think about what events, scenes or characters you can inject to get those bursts of conflict. Think about what your character wants and what obstacles stand in the way of that. How does overcoming them move them/change them for the next bump in the road?
Good luck out there, and may the Force be with you.