Good morning fellow readers, writers, and friends. This morning marks nearly the half-way mark of NANOWRIMO.
In the month of November a gauntlet is thrown, where in writers of all types, genres, and experience levels attempt to write 50,000 words in 30 days. While this ain’t my first rodeo (fourth year participant) I’m quickly finding that every year is different.
Most notably this year’s project has been a study in what happens when I let my “pantser” out.
Before you call the authorities and request a restraining order, what I mean is that usually I have a rough idea of what my novel will be about, some basic plot points, a shady little arc where in I can fit most scenes with relative smoothness. I’m not an all-out “plotter” I don’t have graphs, or charts, or beat sheets. Usually later in my process I come up with something that formal if it helps me fill in the gaps.
But this year–
This year I just started writing about a girl who’d suffered a horrifying assault, ran away, and returns to her childhood home with no intention of staying past the point of handling her grandfather’s affairs.
That’s all I had.
Oh…and a murder has been committed.
And there’s this seasoned old detective who’s lovable but grouchy as shit.
Oooo, and lets make him a divorcee, trying to quit smoking while raising a curious 12-year old boy.
And let’s say he doesn’t deal well with horses. Or heights. And he’s got a paunch, because he’s over forty and can’t get rid of it no matter how many weeknights he plays rugby.
And she gets panic attacks. Bad ones.
And what happens when the lady in question has a panic attack while driving just ahead of the cop and his son on their way to rugby practice?
And her sisters hate each other, and are polar opposites hippie versus yuppie.
And I need to learn Greek. And I gotta start looking into regional varieties of grapes and how rare the Andravidas horse is…and what’s the shape and size of a typical head wound from a roncola…
See what I mean? I’m all over the place. And this book, ladies and gents, it might be the messiest first draft I’ve EVER written. I jump from scene to scene, character to character, out of time, out of place, sometimes contradicting myself within the same paragraph. I’ve never had such a mess of a project.
I’ve never worked on a book that I wasn’t sure I would absolutely finish and make into something better.
But this fella, he’s a different breed.
He’s a quirky little story and I’m sort of hopeful that all of the pants-ing going on here is going to produce some really raw and gritty emotion, boiled down description, some complex characters in tender situations that will amount, later and with a lot of elbow grease, to a decent and intriguing novel.
The point, (yep, there’s one–it’s coming. Wait for it–) is that by jamming out words, even in their flagrant misuse of proper grammar or form, even with complete disrespect for story arc, has allowed me to explore a genre I’ve never written in before without the halting self-doubt that might have stopped me before. I’ve discovered characters who are more than a little fucked up (*gasp* where’s the romance in that?) and may or may not find out the truth let alone a happily ever-after. And that might be okay this time around.
If you’re in the middle of it, and have a day that knocks you back, jump ahead, jump behind…write the characters ten years in the future or what their sixth-grade year was like. The words don’t have to be in order, they just have to be there.
Good skill writers. 16 more days, and you are all over this like a bunch of bacchantes on Dionysus.
Get to it.